Tuesday 21 May
 
 

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0

Bright stripes

Tiger High with Cosmonauts and The Garden
10 p.m. Monday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$5
05/15/2013 | Comments 0

Reverb brotherhood

Basile Benefit Bash with The True Believers, The Fortune Tellers, The Reverb Brothers, DJ Jon Mooneyham and more
9 p.m. Friday-Saturday
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203
$20 Friday, $10 Saturday
05/15/2013 | Comments 0

Back to basics

O Fidelis with Chelsey Cope
9 p.m. Thursday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
free
05/08/2013 | Comments 0
Home · Articles · CDs · Folk · Terra Lightfoot — Terra Lightfoot
Folk

Terra Lightfoot — Terra Lightfoot


This dream-folk debut will induce dead sleep.

Matt Carney October 20th, 2011

As the common people have progressed over the last 50-plus years, so has the topicality of their music. Since the development of genres in popular music in the 1950s, contemporary folk music has skewed apolitical, alluring and beautiful.

terralightfoot
It’s a far, more pleasant cry from the rough-worn, truth-saying voices of Pete Seeger and Woody Guthrie and the usually sparse, simple arrangements that accompanied them.

Terra Lightfoot is one such contemporary. The artist from Waterdown Canada has also played with country band The Dinner Belles. Here we have her solo debut, which calls upon a lot of Americana influences, both in genre and artist. Nick Drake and Ani DiFranco immediately come to mind, listening to her eponymous debut.

However, the more rocking songs never reach high enough, hampered by a heavily muted distorted guitar, (“Sleep Away the Winter”), the poetry seems too lazy (“Straight Line” and “Heads, Tails, Tails”), and Lightfoot’s voice just never inspires the desire to continue listening. Plaintive and limited, it sounds like she recorded the vocals for this album from the comfort of a sofa.

And heck, opener “Straight Line” is literally about commuting to work. I listened to it while doing so and just felt more depressed. Stick with Fleet Foxes for richer, more engaging music, or check out Kathleen Edwards if Canadian female alt-country’s your thing.
 
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