Thursday 17 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Music
 

Beneath the Owl


Operating as Owl City, Adam Young gives such a hoot about his music that he does it all himself, but for the love of millions.

Joshua Boydston November 2nd, 2011

Owl City with Days Difference and Unwed Sailor
6:30 p.m. Friday
Diamond Ballroom
8001 S. Eastern
diamondballroom.net
677-9169
$19 advance, $24 door

Having played Oklahoma twice in three short years of touring, electronic-pop musician Adam Young — operating as Owl City — already has formed fond memories of the Sooner State.

“Some kid in blue sweatpants drew pictures of genitals all over the side of my bus in black Sharpie last time I was there,” he said. “Everyone laughed, though, so it’s cool.”

Friday’s gig at Diamond Ballroom might prove to top the anatomical graffiti, however, because Young gets to share the stage with his Tulsa-grown musical heroes.

“Unwed Sailor has been my favorite band for 10 years now,” he said. “I love how big and epic and progressive their music is … how their songs suggest optimism without the use of words. Instrumental music is an inspiring thing to me, and they really know how to do it right.”

Owl City might be rooted in instrumental inspiration, but Young couldn’t resist adding a thick smear of bubbly — sometimes schmaltzy — lyrics to electro ballads like the 2009 quadruple-platinum hit “Fireflies,” which saw the Minnesotan launch from anonymity to the top of the charts and sold-out shows in a matter of weeks.

“I think one of the moments that still stands out the most is the first show in Minneapolis,” Young said. “I was standing behind the curtain, shaking, so scared. I was thinking, ‘I don’t know if I can actually walk out there and play for an hour to these people.’ But I made myself do it, and it was so much fun, I couldn’t have been happier.”

His major-label debut, “Ocean Eyes,” hit No. 1 on iTunes, and Young followed it up with this summer’s braver “All Things Bright and Beautiful.”

“It’s more powerful. It’s more aggressive when necessary, and it’s far less processed and Auto-Tuned. It’s just more gutsy and bold. I’m not really a singer by nature, so that was a big step for me,” he said. “The album was written, recorded, produced and engineered all in one room by one person, and I think it has a watertight quality to it that makes for a very definitive final product. My fingerprints are all over it.”

After this current tour, Young plans on hopping right back into the studio to record the next disc, which he hopes will be his most memorable to date.

“I’m already knee-deep,” he said. “The music seems to be getting older and wiser, and I like how an artist can only do what he/she does for so long until the result sounds nothing like anybody else except them.”

 
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