Saturday 25 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
Newsletter
Home · Articles · Music · Music · Rise of the machines
Music

Rise of the machines


While America marvels over ’bots that box, Captured! By Robots proves they can rock your face off, too.

Joshua Boydston November 2nd, 2011  

Captured! By Robots with Colin Nance
9 p.m. Thursday
opolis
113 N. Crawford, Norman
opolis.org
820-0951
$8 advance, $10 door

JBOT’s plan to replace his former bandmates with robots may have backfired when — according to his bio — the machines pulled off a full-scale mutiny and enslaved their former captain and creator. But, hey, it beats the hell out of playing with other people.

“You ever been in a band? Try it sometime. You’ll be making a robot band in two months,” said Captured! By Robots creator JBOT. “There’s the egos, the girlfriends, band members using drugs, people showing up late. It’s still hard to tour with a band of robots, but I think it’s easier than touring with a band of humans.”

The punk-rock octet — or solo project, depending on how you define it — sounds something akin to the Chuck E. Cheese animatronic house band playing on the banks of the river Styx. While not your typical rock band, JBOT is none too pleased with people calling it a joke.

“It pisses me off. We’re a band like anyone else’s band — it’s just that there’s one human,” he said. “Personally, I take it as a slap on the face. Sure, I didn’t know what I was doing when I started building these robots, and the first few incarnations really sucked. Over 14 years and a lot of hard work, it’s really come together. I’d put us up against any other band, human or not.”

As JBOT’s amateur engineering prowess has evolved, so have the robots and their compositions. But where does one go after that?

“I had a goal of making a kick-ass rock band with robots, and I did it. Then what?” he said. “What gets me going is having a desire to do something that no one else has done and having people tell me I can’t do it. That sends me over the edge, and I have to do it. I won’t stop until it’s done.”

The next logical step: an Armageddon-themed tour in the coming year, complete with a new batch of tunes contemplating Earth’s impending end, according to the Mayan calendar.

“It’ll be one, big, possibly last tour, if we all die anyway, so I’m billing it as such,” JBOT said. “All the songs are about the end of the world and how we might possibly go: asteroid, satellite crash, alien invasion ... robot takeover.”

Photo by Snapcult

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close