Wednesday 23 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Bitchin’


Norman punks John Wayne’s Bitches formed less than two years ago. Isn’t it too soon for a comeback show? They’ve got a good reason.

Matt Carney November 9th, 2011

John Wayne’s Bitches with Zombie Vs. Shark and The Escatones
9 p.m. Saturday
113 N. Crawford, Norman


The last time Naomi Loughridge performed at Opolis, things didn’t go so well.

“She had a stroke,” guitarist Katie Stephens said. “Onstage.”

Not coincidentally, it was the last show that Norman garage punks John Wayne’s Bitches played. Saturday night’s bill, which they share with Norman’s Zombie vs. Shark and Stillwater’s The Escatones, will be their first public performance since that fateful May 30 concert.

“We were playing and she turned around to me and said, ‘My amp’s not working anymore,’” Stephens said.

As it turned out, it wasn’t Loughridge’s amp that failed. It was the left side of her brain.

And yet, she continued performing her lead singing duties.

“She sang great. The part of the brain that controlled her guitar playing was just gone, though. She stopped playing,” Stephens said. “Later on, I took her home. The next day, her face started going numb. She thought she was having an allergic reaction to her toothpaste.”

The stroke left Loughridge, a stay-at-home mom, hospitalized, incurring considerable medical expenses.

Stephens and the band couldn’t just watch from the sideline, so they helped to turn this summer’s second annual Punk Rock Prom (also at Opolis) into a fundraiser for Loughridge’s expenses. Skating Polly, Debris and four other bands performed, raising $530 to assist paying for her medical care.

Loughridge has since recovered (“She still remembers the words to the songs,” Stephens said) and gotten back into the usual swing of things, taking care of her kids and fronting a badass punk band, but not without heavy effort.

“She worked so incredibly hard every day,” Stephens said. “It’s made our friendship a whole lot tighter. We appreciate each other a lot more. I know Naomi a lot better than I did before. We were bandmates before, but now, she’s one of my best friends.”

Stephens said Loughridge was terrified by the initial thought of returning to play Opolis, but when Zombie vs. Shark approached them about sharing the bill, the lure of rock ’n’ roll was just too great.

“A year and a half, and we’re already playing a comeback show,” Stephens said. “Oh, man. This band has been a hell of a ride.”

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