Thursday 17 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Pop · Florence + The Machine —...
Pop
 

Florence + The Machine — Ceremonials


No sophomore slump for this soulful siren.

Jenn Scott November 15th, 2011

Pre-2008, only a few knew of Florence Welch of Florence + The Machine. After the release of “Kiss with a Fist” in June that year, followed by “Dog Days Are Over” that December, few could contain themselves awaiting the release of her first album, “Lungs.”

best of okc issue dates

The English singer was met with enthusiasm and insta-fame for her ethereal, enormous voice and playfully edgy lyrics in that 2009 release.

Quickly, she nabbed nominations and awards, and since then, the world has waited with baited breath for her return, for this machine with which everyone fell in love with. Would she fall flat? Did she use up all of that quirky tone and hard-hitting emotionality present in “Lungs”?

No. In fact, if anything, she's lived up to her bold rep in the new “Ceremonials.”

Aptly titled, this album is her love letter to pain and suffering. She establishes the church of music, rooted in its creator, nature. She boldly wrestles with the perplexity that is higher power, all the while delicately maintaining a human connection and bridging the ever-pressing, soul-searching questions that plague us all, that connect us all.

From the start, particularly “Shake It Out,” she quickly establishes what's on her mind: “Regrets collect like old friends / Here to relive your darkest moments / And all of the ghouls come out to play / And every demon wants his pound of flesh / It's always darkest before the dawn.”

If you can't relate to that, then you're not human. And if you aren't human, you should get to know Welch and her music. You might learn something.

She claims to “like to keep things to myself,” yet she's pretty damn clear about struggling and the inability “to dance with a devil on your back.”

After she reveals her struggles and desire to overcome, she descends into the exploration of “What the Water Gave Me.” It's a breakdown, and her armor is clearly cathedral-style orchestral music and harps, as well as emotional words of affirmation.

Her sentimental commitment in “Never Let Me Go” is hauntingly beautiful. She begins to explore her newfound belief structure: “In the arms of the ocean, so sweet and so cold / And all this devotion I never knew at all / And the crashes of heaven, for a sinner released / In the arms of the ocean ... never let me go / Well, the arms of the ocean delivered me.”



Welch's sophomore album continues to weave through the ups and downs indicative to any growing relationship in “Breaking Down,” “All This and Heaven Too” and “Strangeness and Charm.”

Rounding out the disc’s deluxe edition is “Bedroom Hymns,” where she delves into the business of altars, confessions and selfish prayers — the kind of thing one might have late at night in the privacy of their own safe haven. She admits she's not “looking for absolution,” and she “can't get enough” of the attempts at personal gain via her newfound strength.

The undeniable romantic entanglement with life and religion culminate in a predictable and relatable ebb and flow.

Ultimately, however, she proclaims: “It's over, and I'm going under / But I'm not giving up, I'm just giving in.”

Although some already have dubbed “Ceremonials” as turbulent, I argue that it mirrors life, and I look forward to Florence + the Machine's next release, as she explores her faith by way of music and establishes a deeper connection with all who relate. —Jenn Scott
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close