Monday 21 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Signs of possession

Signs of possession

How does metal act The Devil Wears Prada know when it succeeds? When it conjures a sound more confrontational while keeping the faith.

Joshua Boydston November 23rd, 2011

The Devil Wears Prada with Whitechapel, Enter Shikari and For Today
6:30 p.m. Saturday
Diamond Ballroom
8001 S. Easter
$19 advance, $22 door

Since forming in 2005, metalcore act The Devil Wears Prada has gone from anonymity in its home of Dayton, Ohio, to headlining tours, inking major-label deals and playing with the likes of Killswitch Engage and Underoath. Despite the endless amount of sex, drugs and other rock ’n’ roll vices no doubt available, the six members’ faith has remained steadfast, in lives and lyrics.

“A lot of things about the band have evolved and progressed in a lot of ways, but our message has stayed pretty close to its fundamental foundation,” lead singer Mike Hranica said. “Musically, we’ve gone in new directions, and visually, we’ve changed. We’ve gotten older, for sure, but the faith aspect is the one thing that’s stayed true.”

The group — which mistakenly took its name from the novel/ film, thinking it was a rebuke against materialism — doesn’t do things like most Christian bands; it’s never toured exclusively with spiritual-minded artists, and you won’t hear covers of “Amazing Grace.” However, Prada’s chugging guitars and earsplitting percussion play second fiddle to a Christian message that has only strengthened over time. Its latest album, “Dead Throne,” is a rallying cry against idolatry and materialism that is more obvious than ever.

“It’s something that’s always been in the lyrics, but people have always just glanced over. This time, I wanted to make it unavoidable, intentional and confrontational,” Hranica said. “It’s not just some line in a song — it’s what we really mean.”

Musically, their move toward heavier, darker riffs was prompted by last year’s somewhat less serious “Zombie EP,” a concept album about a zombie apocalypse.

“Moving in a heavier direction was something natural to us,” Hranica said. “It wasn’t something we had to force ourselves to do, and from what we can tell, it’s seen mostly positive results.”

The layover between releases may be longer than the two-year average Prada has seen so far, as Hranica and crew haven’t been able to decide where to go from here. Rest assured, it will be harder, better, faster, and stronger.

“There are a lot of things I’m content with on this record. I think it’s something we can look at and say was the best effort we could muster at that point,” he said. “I don’t feel like I have enough to make a record that is better than ‘Dead Throne,’ and we aren’t going to make a record that just matches that one. It has to be better.”

Photo by Adam Elmakias

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