Saturday 18 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Documentary · We Were Here
Documentary

We Were Here


Phil Bacharach November 23rd, 2011  

It would have been understandable had “We Were Here” veered into the maudlin. The documentary, which recounts how San Francisco’s gay community united in the 1980s to combat the AIDS epidemic, has its share of gut-wrenching stories. But the film is admirably no-frills.

Screening Wednesday, Nov. 30, at the Oklahoma City Museum of Art, “We Were Here” is spare, somber and unsentimental.

It is also thoroughly inspiring. Directors David Weissman and Bill Weber illustrate AIDS’ devastating impact on San Francisco by narrowing the focus to a handful of interview subjects.

The interviewees — gay-rights activist Paul Boneberg, florist Guy Clark, nurse Eileen Glutzer, artist Daniel Goldstein and counselor Ed Wolf — depict how the city spiraled from a beacon of sexual freedom to a community mired in death.

Wolf recalls first learning about AIDS when he saw photographs posted on a drugstore window. The pictures showed a man wasting away and covered in mysterious lesions.

“Watch out, guys,” read a caption under the photos. “There’s something out there.”

But “We Were Here” is not a tale of defeat. With roughly half of San Francisco’s gay population impacted by AIDS, the tight-knit community joined forces and did what needed to be done for those infected. With minimal use of archival footage or photos, the documentary gives its interviewees room to bear witness.

Their stories are undeniably heartbreaking, but also reveal strength and — at the risk of invoking what might be the overused word of this decade — resilience.

 
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