Wednesday 30 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
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Depth & Current — Depth & Current


Norman guitar loudsmiths engineer an awesome sonic nightmare.

Matt Carney November 22nd, 2011

I always enjoy conversations — be they digital or in-person — with Hook Echo Sound and Nice People Records owner/engineer/operator Chris Harris, mainly as he’s one of the Oklahoma music community’s few remaining people who speaks his mind forcefully and directly.

depthandcurrent

I like to think of him as a kindred, younger spirit to Shellac’s Steve Albini: well-thought and often intentionally shocking, not for the enjoyment of shocking people, but because shock is often a useful tool in creating provocative art.

Prior to listening to “Depth & Current,” the first LP from the eponymous band comprised by Harris, drummer Scott Twitchell and Derek Lemke, I “liked” their music in the casual way that I “like” the bulk of locally produced music: I enjoyed it more for the knowledge that I was acquainted with the artist or producer than I actually cared for what was coming out of the speakers. 

While I felt this tepidity for their 2009 EP, “Arms,” the feeling’s been replaced by full-bore fear and excitement for this new album, which sucks and swirls heavy, noisy mixes of grungy guitar and shoegazey vocals into the same dark hinterland where Albini and My Bloody Valentine get plastered and swap dirty jokes. It’s a beefed-up, scary improvement and a terrific recording in its own right.

Stark, ominous guitars crackle across album opener “Chkill,” accompanied by some scene-setting spoken word about a place where “pagans go to have a good time.” While “Depth & Current”’s scenes and moods do change track to track, it’s this one that introduces the listener to the thematic notion of haunting, which Harris’s otherworldly vocals constantly remind of. Much of the lyrics are indeterminate, or otherwise shoegazey, blurred and stretched by effects that give the sense that the singing is coming from the bottom of a very deep, stone well.

When you can tell what’s going on lyrically, it’s not just gloom, doom and woe, however. What unfolds is an individualist’s success story (see “Pick Yourself Up” and “Side by Side”), the notion of triumph reinforced by the heavy, deep echo of Harris’s voice. The gloom, doom and woe is coming from outside, from a society in turmoil.

Midway through the record, “Lost” marches along at a funereal pace that it doesn’t deviate from, with vocals to match. “Red Haute Sects” packs a greater sonic wallop than its punny name implies. “Minefield” sounds like just that.
 
Such sonic force is sure to kill live. Dec. 8 can’t come soon enough

You can stream the album for free at Depth & Current's website.
 
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