Thursday 17 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Music
 

Have a Fling


Audiences never know what can happen with The Fling, with the exception of one thing: easygoing psychedelic folk with a SoCal flavor.

Joshua Boydston November 30th, 2011

The Fling with Yukon Blonde and You’d Prefer An Astronaut
8 p.m. Sunday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8 advance, $10 door

The oddest things can happen on tour, and SoCal psych-folk’s The Fling will be the first to tell you as much. The band is right in the thick of its first major tour, and a spontaneous drum circle with strangers at 4 a.m. in St. Louis wasn’t even the weirdest thing to happen so far.

“We met Rick James’ ex-guitar player’s ex-wife. It was pretty strange,” drummer Justin Ivey said. “She was a security guard in Atlanta. Superfreaky, huh?” Such surreal encounters should escalate as The Fling’s profile continues rising. Its seemingly effortless anthems recall Band of Horses or Fleet Foxes, and hint at a proclivity to the Northwest with a decidedly rainy feel that stands in stark comparison to its sunny, Long Beach roots.

“I don’t think that we meant to do any indie-folk thing. I think it just kind of happened,” Ivey said. “We grew up listening to jazz, Led Zeppelin and Nirvana. We just play the music that fits us, I guess.”

In a busy year, the act signed a record deal, with two discs quickly following: “When the Madhouses Appear” and a follow-up EP, “What I’ve Seen,” which hit shelves earlier this month.

“We wanted to put something out as soon as possible. We just love putting out music,” Ivey said. “Being able to write music like we have helps you evolve. We’re constantly writing and learning.”

The release of “What I’ve Seen” coincided with the addition of a new member, and the band is all the better for it.

“Having another musical option has helped us think about things that we might not usually think of. It’s been a benefit having another songwriter,” Ivey said. “We’ve evolved.”

If that growth and productivity translate proportionally to popularity, maybe meeting the ghost of Rick James himself comes next.

“There’s no shortage of ideas, so we’ll go into a rehearsal space and hash it out,” Ivey said. “We don’t want to put out a record, tour for a couple of years and release a new one; we want to keep making music and having it out there for people.”

 
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