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IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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These Southern-rock giants make music that’s joyous, jubilant and juiced-up, but don’t call My Morning Jacket a jam band.

Joshua Boydston November 30th, 2011  

My Morning Jacket With Delta Spirit
6 p.m. Tuesday
Brady Theater
105 W. Brady, Tulsa
bradytheater.com
918-582-7239
$36.50-$41.50

With influences as far ranging as Neil Young to Pink Floyd, you could call My Morning Jacket many things. Its members hope “jam band” isn’t among them.

“Yeah, there’s a bit of a freedom we have when we play together, and we aren’t rigid in how we play the songs … but I don’t understand why people call us a jam band,” keyboardist Bo Koster said. “I think it’s just improvisational. We do that here and there, but we stick to arrangements for the most part ... that line is just tiptoed.”

Led by mastermind Jim James, they have become legends of the stage with wild, unpredictable and, most fittingly, epic live sets, some as monstrous as nearly four hours. Crowds have swelled accordingly, as have sales; this year’s “Circuital” is its highest-charting to date.

“It’s hard to quantify why those things happen, but our growth has always been a steady climb,” Koster said. “No one thing has helped us more than another. I hope that it’s that the music is getting continually better, and that’s what keeps us relevant.”

Fans may or may not argue that point; the momentum from 2003’s “It Still Moves” and 2005’s “Z” saw a hiccup with the hot-and-cold reaction to 2008’s “Evil Urges,” My Morning Jacket’s most deliberate and grandiose album to date.

By comparison, “Circuital” is appropriately raw and literally unrehearsed, half-baked in a makeshift recording space in a church gymnasium.

“When we went into record, we didn’t have any goals set in mind. It was 12 or 13 days in July, so fucking hot with 100 percent humidity and no air conditioning,” Koster said. “It was no more than riffs or demos, and we came out with about half the album. We’re proud of that.”

Fans can expect new material soon, with a Christmas-themed iTunes release to be unwrapped in short order. The gift took just a day to record, but Koster said the group marvels at how impressive it sounds.

“It exceeded all expectations,” he said. 2012 will be “a victory lap” for My Morning Jacket as it trots across the globe with the possibility of recording lingering toward year’s end. Until then, the splendor of the live performance will more than suffice.

“It’s a lot of fun. I believe in what we are doing,” Koster said. “I feel like we try to be honest with what we do, and every night is an honest portrayal of who we are and what we are inspired by.”

Photo by Danny Clinch

 
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