Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Reckless play


Good thing Reckless Kelly named its latest album ‘Good Luck.’ The disc has been the alt-country band’s best charter yet.

Joshua Boydston December 7th, 2011  

Reckless Kelly
10 p.m. Saturday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276

Country rock’s Reckless Kelly is already batting a thousand with its upstart label, No Big Deal Records. Its first release — the band’s seventh studio album, “Good Luck & True Love” — is the act’s highest-charting to date.

And last week, it earned the group its first Grammy nomination.

“That explains why I’m a little hungover this morning,” said vocalist and guitarist Willy Braun. “We always wanted to make our own records, and it’s cool to see that we’ve been able to pull it off and not have to have someone over our shoulders to make sure we do it.”

Braun necessarily didn’t see awards in the cards when the Texas band first made the decision to strike out on its own. A little more freedom was all the guys sought, but a Grammy nod is the icing on the cake.

“It’s cool to have the reins, to have all the control and be able to do exactly what we wanted to do with it,” he said. “It’s nice to not have to answer to anybody or fight anyone for anything.”

That liberty translated into a decidedly retro affair that is reflected in the casino-meets-fortune-teller motif gracing the disc’s cover. “We wanted to make this record old-school style,” Braun said. “We recorded it on 2-inch tape. It was just the band playing on it, and we released it on vinyl. It was a cohesive sound and style that we were going for, where all the songs sonically and in subject matter sounded connected. We didn’t want something pieced together over several sessions … we wanted a real album.”

It also marks an approach inspired by Tom Petty, reminiscent of Reckless Kelly’s early work.

“The last album was a little more on the honky-tonk side; this one’s got a little more country-rock edge,” he said.

Next year, No Big Deal may or may not add to its catalog of one, because for Reckless Kelly, the goal is quality over quantity.

“Maybe down the road, we’ll put another band or two on the label, but we aren’t actively looking,” Braun said. “We did it for ourselves.”

Saturday’s show at Wormy Dog Saloon is free for those who bring an unwrapped toy or make a $20 donation to Toys for Tots.

 
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