Wednesday 16 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Villainy


Sonic tough dudes Bona Fide Villains want to creep out their fellow Okies. Bwah-ha-ha!

Matt Carney December 14th, 2011

Bona Fide Villains with Them Hounds and Dirty Evil People
10 p.m. Saturday
Blue Note Lounge
2408 N. Robinson
thebluenotelounge.com
600-1166

That his Oklahoma City band is sharing a bill with Them Hounds and Dirty Evil People was not lost on Bona Fide Villains co-founder and front man Ryan Taylor.

“They’re the three best band names in the city,” he said with a laugh.

Kidding aside, the Villains’ coupling of corroded, antique guitar tones and Taylor’s natural baritone seem tailored to soundtrack a scary movie. Not your run-of-the-kill slasher flick or jarring, in-your-face gore-fest, but more like a subtle, haunting thriller that ends with a big, frightening psychological reveal.

Creepy, airy backing vocals provide a certain pristine, finishing touch to the group’s classic, rocking sound that chugs along on creepy-crunchy six-strings.

“It gets that spooky vibe we’re going for,” Taylor said. “It’s a contrast with my voice being so deep.”

He and fellow guitarist Nathan Kress paired up in April 2010, after never quite mustering the courage to strike out with others as a full-fledged band.

“We were both at our wit’s end when we met,” Taylor said.

The duo picked up another guitarist, Kevin Oberlag, then drummer Jack Waters, who’d moved to Oklahoma from Arizona, where he’d played in a few mildly successful heavy-rock and metal bands. Bassist Luke Fekete rounded out the band’s proper incarnation, but a few months after recording the “Modern Living” EP, active duty called him off to Afghanistan, where Taylor said he’s “in some sort of special forces elite commando training” for the Air Force. Whether Fekete will rejoin remains a question mark, but the Villains have soldiered on without him.

“Modern Living” is a mid-tempo effort longing for a time before status updates on handheld devices, a time when “things were clear and men were men.” Lyrics are awfully important to this young act.

Also important is with whom it works. Living in Stillwater for a spell, Taylor built friendships with the city’s two best indie bands. Colourmusic’s Colin Fleishacker contributed his dexterous bass-playing, while Other Lives’ Josh Onstott produced, mixed and supplied backing vocals and organ. Jonathon Mooney, also in Other Lives, mixed two tracks and mastered the entire EP.

“Jon actually did it while they were out on the road,” Taylor said. “We finished recording it about two days before they left on their latest tour. It’s taken a little while because they’ve been off on the road, getting famous.”

 
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