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Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
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Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

Faster, Dischordia! Kill! Kill!


Oklahoma City metal trio Dischordia plays it fast and angry, but there’s more to it than that.

Matt Carney December 14th, 2011  

Dischordia with This Hideous Strength, Submerged In Dirt and Look.Point.Whisper.
8 p.m. Friday
McSalty's Pizza
3000 N. Portland
943-3637

Dischordia drummer Josh Fallin and guitarist Keeno — “I just go by Keeno, mostly. I’m kinda like Prince in that sense. Or Cher, maybe” — have been making metal long enough to weather the demise of four or five different bands, by their estimation.

“Everybody’s cycled through, but we’ve always stayed,” said Keeno.

So when vocalist/bassist Josh Turner showed up, rooted in punk rock but with an enthusiasm for more virtuosic playing, the kinship and musicianship seemed like a natural fit.

“I’ve been wanting to play metal since I was in eighth grade,” Turner said. “We were definitely metal right from the get-go ... but, yeah, my taste definitely evolved from punk.”

Formed in March, the Oklahoma City trio started playing shows early last summer, carving into the regional scene with its take on progressive metal inspired by such bands as Swedish experimental overlords Meshuggah and forward-thinking screamers The Dillinger Escape Plan.

Even with only a single EP, October’s “Creator, Destroyer,” under their belt, Dischordia’s members are confident enough to look ahead to bigger things.

“Josh and I were both music majors in college, and Keeno’s been playing guitar for ... ever,” Turner said. “So even now, we’re having all these crazy ideas for the future as we plan on getting better, and are getting better.”

Added Keeno, “It’s a challenge playing with these two, because they’re so far ahead of me theoretically. It’s my favorite band ever. It’s not just us fooling around or writing angry, fast stuff.” “Creator, Destroyer” is both angry and fast, but there’s more to the quartet of tracks. Fallin and Turner’s classical training shows up in the turbulent, ever-aggressive rhythm section on standout track “Dark Passenger,” taking only a deep breath’s respite before Keeno hops in and strangles his fret board for a menacing guitar solo. Their blazing, furious tempos aren’t typical of an act still in its infancy.

“I remember when we first got into rehearsing ‘Creator, Destroyer.’ We built up the endurance for it over time, and live, we hold together well, even when we’re playing so fast,” Turner said. “At this point, we’re just going to try to get faster and faster.”

 
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