It takes an even more confident band to do so in a foreign country.

Modern Rock Diaries is that band. The Oklahoma City act’s confidence comes from the painstaking effort put into its debut EP and the overwhelming light show that matches it.

“I’ve always been big on the idea that, you know, the music should blow you away, but the visual side is really important,” singer/guitarist Brantley Cowan said.

Such an enormous undertaking may seem like overkill, but the gargantuan scale of the band’s debut, “Great Western Civilization,” demands it. Each of its five tracks buzzes to life with layers of quirky, breathing keyboard chords tethered to forceful, mid-tempo rock beats. Cowan’s vocals — often backed in unison by others — and lyrics range from fed-up and angry to wistful and even reminiscent of Kings of Leon’s Caleb Followill.

Modern Rock Diaries taps into Arcade Fire’s “Funeral”-era gritty grandeur, and tosses it around in an a big, synth-laden swirl similar to much of M83’s current work. Cowan cited producer Jarod Evans of Norman-based Blackwatch Studios as a major influence: “He became an extension of our group, and it was a really good fit.”

For such lofty musical goals, Cowan’s lyricism is immediately accessible and unpretentious, leaning populist in a time of recession, when corporate employment often seems to treat people more like automatons.

“I think there’s a lot of people — more than any time in the last 70 years, since the Great Depression — who are having to make a lot of difficult decisions and having to make a lot of changes in their life with the state of the economy,” he said. “There’s a lot of personal experience in [the album], but it’s really just touching on what a lot of people in America are going through right now.”

The group toured Europe recently, playing historic venues in Ireland and London. Closer to home, Modern Rock Diaries currently is gearing up for a U.S. tour of 20 to 25 cities, and Friday night’s show at VZD’s is its last in the metro until that tour is finished.