Thursday 23 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Pop · The Del Toros — Young Blood Rising
Pop

The Del Toros — Young Blood Rising


Matt Carney January 5th, 2012  

If you didn’t pick up on a sense of the dramatic while listening to white boy soul-rockers The Del Toro’s 2010 full-length debut “Come Down,” then there’s probably something wrong with your audio speakers. Or ears.

The group’s second effort, “Young Blood Rising,” rekindles that handsome, blue-eyed pop-blues-rock storytelling that singer Dave Rumsey’s good for; and the band steps forward with a confident swagger of knowing it has a couple of great anthemic lyrics and badass guitar solos stashed away for later.

The Del Toros spread that good, hooky stuff nice and even across these 13 songs, which range from the bright-toned and dreamy title track to the comfy piano-swaddled lull “Foreign Films” and up a red-dirt-riffing arc on “I’m Gone” in a quick three-song, mid-album suite. They also break out an organ, harmonica and slide guitar — sometimes all together — as in the first two-thirds of “Again.”

Rumsey’s lyrics are the constant here, but remain very much dynamic. One minute on “Quit You,” he says he’s a “sucker for your freckled skin,” the next he’s raised a glass and shouting a chorus of “here’s to forgettin’ you.” The appropriately named closer, “Hymn,” pensively completes an album that began with “Kick Drum Blues,” a restless love letter to Americana. Listening to “Young Blood Rising” feels an awful lot like returning home after a long adventure that had more ups than downs. —Matt Carney

 
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