Thursday 24 Apr

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
Home · Articles · Music · Music · Noisy Baby

Noisy Baby

Expect the unexpected with noise-rock trio Baby Tears.

Joshua Boydston January 4th, 2012

Baby Tears with The Fucking Party and The Copperheads
8 p.m. Friday
The Conservatory
8911 N. Western

History doesn’t foretell too much in the case of Baby Tears. The noise-rock trio from Omaha, Neb., possesses an unpredictable track record of gigs that makes it impossible to pinpoint exactly where the next one will go.

“There is no typical show with us,” said guitarist/vocalist Todd VonStup. “It’s unstructured in a good sense. Sometimes we’ll play four songs and the rest is just noise and feedback. You and I will never know what’s coming beforehand.”

It’s a perfect match for the band’s signature sound, a purposefully harsh and scratchy one more concerned with expanding the bounds of music than cozily fitting into popular song structure.

The dark and ominous vibe comes from the group’s affection for the likes of Dwarves and Slayer, and the finished product paints an effective portrait of Buffalo Bill’s underground prison, albeit a smidge less sinister than the band’s seemingly cruel moniker.

The music is a stark contrast to VonStup’s work in rowdy party-punk band The Shanks before that outfit threw in the towel a couple of years ago.

“This one feels very unstructured. We can do whatever we want,” VonStup said. “We can do a noise set, something really droney, or we can do these 60-second punk rock songs. It’s fun to play all the different styles of music we like, write it and make it our own.”

Although unstructured — and, by extension, rather chaotic — Baby Tears represented a challenge to VonStup, where his musicianship needed to be ratcheted up a notch.

“I was used to this really sloppy, drunken music,” he said, “and I’ve had to tighten up to play with people who are really good with their instruments.”

That controlled chaos made its way onto the band’s recently released 7-inch effort “Homeless Corpse” and free-fordownload, debut full-length album “Rusty Years,” a proud moment for all three of Baby Tears’ members.

“We did the whole thing from start to finish,” VonStup said. “We wrote all the songs, recorded all the songs, mixed all the songs. We did all the artwork ourselves, and it’s something all three of us have wanted to do.”

The band plans on hopping back to recording sometime very soon, with ideas for a cover EP (tracking anything from metal to country favorites) and a full experimental disc dedicated to pure noise.

VonStup said, “We are wanting to cover all corners of music.”

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