Baby Tears with The Fucking Party and The Copperheads
8 p.m. Friday
8911 N. Western
“There is no typical show with us,” said guitarist/vocalist Todd VonStup. “It’s unstructured in a good sense. Sometimes we’ll play four songs and the rest is just noise and feedback. You and I will never know what’s coming beforehand.”
It’s a perfect match for the band’s signature sound, a purposefully harsh and scratchy one more concerned with expanding the bounds of music than cozily fitting into popular song structure.
The dark and ominous vibe comes from the group’s affection for the likes of Dwarves and Slayer, and the finished product paints an effective portrait of Buffalo Bill’s underground prison, albeit a smidge less sinister than the band’s seemingly cruel moniker.
The music is a stark contrast to VonStup’s work in rowdy party-punk band The Shanks before that outfit threw in the towel a couple of years ago.
“This one feels very unstructured. We can do whatever we want,” VonStup said. “We can do a noise set, something really droney, or we can do these 60-second punk rock songs. It’s fun to play all the different styles of music we like, write it and make it our own.”
Although unstructured — and, by extension, rather chaotic — Baby Tears represented a challenge to VonStup, where his musicianship needed to be ratcheted up a notch.
“I was used to this really sloppy, drunken music,” he said, “and I’ve had to tighten up to play with people who are really good with their instruments.”
That controlled chaos made its way onto the band’s recently released 7-inch effort “Homeless Corpse” and free-fordownload, debut full-length album “Rusty Years,” a proud moment for all three of Baby Tears’ members.
“We did the whole thing from start to finish,” VonStup said. “We wrote all the songs, recorded all the songs, mixed all the songs. We did all the artwork ourselves, and it’s something all three of us have wanted to do.”
The band plans on hopping back to recording sometime very soon, with ideas for a cover EP (tracking anything from metal to country favorites) and a full experimental disc dedicated to pure noise.
VonStup said, “We are wanting to cover all corners of music.”