Monday 21 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Hip Hop/Rap · Day One — Art by Death
Hip Hop/Rap
 

Day One — Art by Death


Matt Carney January 11th, 2012

“Art by Death” is something you probably won’t hear every day.

On one lyric of the song “Dream Circus,” Chris Wallace raps about “Robert Frost poems read from the mouth of a deer”; the next, he’s name-checking former Thunder point guard and comically small dunker Nate Robinson.

It’s weird stuff, for sure, but the ACM@UCO student, who comprises art-rap duo Day One with moody musician Logan Smith, demonstrates an impressive knack for technical rap, handling tricky meters with a certain precarious balance. Witness the last verse of “Dino Tears,” a track with spacey production evocative of last year’s excellent record from Seattle hip-hip collective Shabazz Palaces. He’s a genuine talent, even if his scatterbrained topical approach is sometimes hard to follow.

From lyrically gifted animals into the fictional “Murder Case,” Smith provides some sparse, East Coast rap piano chords to a subdued drumbeat and an authoritative flurry of Wallace verses. They make a good, eccentric pair, although they sometimes fall sucker to trite, reaching-for-emotive lines like “In my own abyss / I remain paralyzed” or “You can take your bag / You can hit the road.”

That’s easily looked past, however. There really aren’t any other local hip-hop artists this young making music this odd. Let’s call Day One a prospect with massive upside. —Matt Carney

 
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