Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Oh, Brother!


The family that slays together, stays together. So goes it for the sibs of squawk, aka Jeff the Brotherhood.

Joshua Boydston January 18th, 2012  

Jeff the Brotherhood with Shitty/Awesome
9 p.m. Sunday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
$8

Nashville noise-rock duo Jeff the Brotherhood released its breakout album, “We Are the Champions,” this past summer, but already has stepped back into the studio to record a follow-up that promises to be just as outrageous.

“It’s the logical next step,” said guitarist/singer Jake Orrall. “We weren’t trying to think about it too much. We get a lot of ideas that sound really good, but then we think, ‘That’s too cheesy’ or whatever. Lately, it’s like, ‘Fuck it, let’s do it anyway. If it sounds good, it sounds good.’ We’ll see how that turns out.”

Odds are, just fine. The twosome has a decade’s worth of experience, made all the more impressive by the fact that Jake and his brother, Jamin, are just 25 and 23, respectively.

With the encouragement of their father, the brothers of Brotherhood started their own label, Infinity Cat Recordings, when they were teenagers. They released six of their own albums, as well as works by Be Your Own Pet (which the siblings once played in), Pujol and others.

“It would be fun to be recognized as one of the premier indie labels in Nashville,” Jake Orrall said. “There aren’t as many as you’d think.”

However, just down the road is Third Man Records, owned by The White Stripes’ Jack White, with whom the boys have become fast friends, both because of proximity and shared garage-rock sensibilities.

“It’s like we are one big gang,” Jake Orrall said.

Out of left field, when White temporarily added misfits rappers Insane Clown Posse to the gang for a special single, he also enlisted Jeff the Brotherhood for the rocking backing track. The result was the Mozart tribute anthem, “Leck mich im Arsch,” one of the most talked-about recordings of 2011.

“I wouldn’t really call it a collaboration,” Jake Orrall said. “I wouldn’t take credit for any of that, but it was fun. If you can’t laugh at it and don’t get the joke, there’s something wrong with you.”


Photo by Chad Wadsorth

 
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