Sunday 19 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Drama · Shame
Drama

Shame


Rod Lott January 18th, 2012  

Our daily life is defined by rituals.

For you, that may mean a morning cup of coffee or a quick jog before bed. For Brandon Sullivan, the New York City-based protagonist of “Shame,” it means masturbating at work.

As portrayed by Michael Fassbender (“X-Men: First Class”), Brandon is a sex addict. When he’s not engaging in sexual activity with strangers, he’s downloading porn on his computers at home and the office. Work, sex, work, sex, work, sex — that’s his existence.

Then his emotionally wounded sister (Carey Mulligan, “Drive”) has to upend said rituals by temporarily moving into his apartment.

Finally opening Friday at AMC Quail Springs Mall 24, “Shame” may carry the dreaded NC-17 rating, but don’t mistake it for the very thing with which Brandon is obsessed. A film can be adult in nature without being an “adult film” (the intent behind NC-17’s controversial creation in 1990), and British director Steve McQueen’s follow-up to his acclaimed “Hunger” makes a strong case for that fight.

As a stark, sterile look at a dirty young man, this is as finely crafted a work as you may see all year, yet its subject matter will result in many a walkout — perhaps from the first scene, in which Fassbender goes full-frontal nude.

His bravery in doing so is only a small part of what makes his Oscar-worthy performance the most fascinating among all actors in 2011. The guy commits to a part that, in lesser hands, could kill a career, and refuses to shy away from the most problematic material.

It may make you feel uncomfortable; in fact, it should. The most challenging — and potentially rewarding — films do.


 
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