Wednesday 30 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
Home · Articles · Reviews · Folk · Seeker Lover Keeper — Seeker...
Folk
 

Seeker Lover Keeper — Seeker Lover Keeper


Classic folk tunes from some young Aussie gals.

Matt Carney January 17th, 2012

Just when I was about to write off the debut LP from Australian lady-singer collective Seeker Lover Keeper as a collection of overly subdued, wannabe Feist mishy-mash, a shocking and attention-grabbing drum machine hooked me back in on the sixth track, “Rely on Me,” midway through the album.

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That far in, it was the most interesting song sonically, having ditched the previous five tracks’ uniform dreary piano chords, muted drums and plaintive, stiff vocal melodies. Sarah Blasko’s voice turned girlish and alluring, more like that of Twin Sister singer Andrea Estella than her previous hopeful folk goddess.

Despite the repeating starch of piano chords that leaves it feeling a bit rigid, I found “Even Though I’m a Woman” the most compelling bit of songwriting here, with the trio likening the female role in a poorly founded relationship to the life of a traveling salesman: “Born to be in a state of longing / Born to be wanting, wanting.” I suppose it’s sort of a gender reversal from what Matt Berninger and The National do so well, moping about the idea of a relationship when they ought to, y’know, actually be engaging it.

“Bridges Burned” immediately follows, shining a bit of life and “hope that leads me to a better circumstance,” suggesting that the previous song’s reality eventually took a melodious upturn. “Theme I,” which contains the title lyrics, confirmed my Feist suspicions, matching the somber tone of the more dour tracks on the Canadian singer’s 2011 album, “Metals,” particularly “Graveyard” and “Anti-Pioneer.”

Of the three women, I think I like Holly Throsby’s voice best. Even her whispers seem commanding and ample in volume, especially on “We Will Know What It Is.”

I suppose the reason this record fits like a wool shirt is because last year introduced me to the loose-fit a capella acrobatics of female vocal trio Mountain Man, but who knows? Maybe “Seeker Lover Keeper” will loosen up after a few wears and washes.


 
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