Three volumes in and A Blackwatch Christmasyet again nabs a spot on the nice list, showcasing a smattering of Oklahoma artists with charming new holiday standards. This year shakes up the status quo with two themed halves — serving up dusty, countrified Christmas ditties on the Holly-Tonk side and soulful hip-hop carols with Jingle Beats, both with joyful returns.
It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
Dead Sea Choir with Brother Bear 9 p.m. Saturday Opolis 113 N. Crawford, Norman opolis.org 820-0951 $7
Costa Stasinopoulos, record
producer and leader of Tulsa alt-rockers Dead Sea Choir, has had a
pretty rough month. Someone broke into his car on Jan. 15, taking a
friend’s guitar and a pair of hard drives containing yet-to-be finished
records. And this came just as he was repairing his vehicle from another
break-in mere weeks before.
all that, he can see the light at the end of the tunnel, even if said
light currently is shrouded in a good deal of cynicism.
Sea Choir existed for around a decade before releasing its 2008 debut,
“Thin One the Red One,” an epic, 11-song swell of Radiohead-influenced
little kid, I just wanted to take over the world. The music kind of
reflected that in a way. It was ridiculously ambitious and over-the-top,”
Stasinopoulos said. “You know ‘Fight Club’? I wanted that epic,
Pixies-building-crumbling moment on every song.”
Stasinopoulos doesn’t look upon that record too fondly.
“It’s so indicative of
youth at its folly. Kids shouldn’t be allowed to release records,” he
said. “Poor kids. Poor me. It’s like looking in the mirror five years
ago: I hate that kid.”
years since have brought a great deal of change to Dead Sea Choir; a
full, stable lineup has replaced the hodgepodge ensemble. Original
members Philip Phillips and Geordan Taylor are now joined by Clay Welch,
Jeff Porter and Nathan Price. While Stasinopoulos probably is still the
GM, he has plenty of support.
“It wasn’t a proper band,” he said.
“Now, I feel like I get pushed around. It’s kind of nice.”
has been working on a sophomore effort for two years, and plans to
record the album in March with Chad Copelin of Norman’s Blackwatch
Studios. Early demos and studio cuts already have attracted attention
from record labels on a national level.
Stasinopoulos said its warmth is helping him keep his chin up.
“I’m just trying to be honest and have a voice, musically and otherwise,” he said. “There’s nothing to prove.”