It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
Craig Finn with Horse Thief and Mount Moriah 6:30 Thursday The Conservatory 8911 N. Western conservatoryokc.com 607-4805 $12 advance, $14 door
It’s hard work writing songs with characters vivid enough to fit a movie script or a novel.
rocker Craig Finn’s been doing it for a little less than a decade as
the front man for The Hold Steady, Brooklyn’s beloved bar band. Although
he’s recently taken a brief detour as a solo artist to focus on themes
of displacement and loneliness, there’s no indication of a departure
from the cadre of hard-drinking, drug-swapping, rave-throwing teenage
hood rats who populate his previous work.
came into the studio Monday morning, shook everyone’s hand and by
Friday night, we had 14 songs recorded, or at least the better parts of
’em,” Finn said of the recording sessions for “Clear Heart Full Eyes.”
was a little intimidated. It was outside my comfort zone, for sure. I’m
still a fairly limited musician, so it was a challenge for me. I came
out of it and it turned into something I really loved. I gained a lot of
confidence from it.”
on Hüsker Dü and The Replacements growing up in Minnesota, Finn long
has written lyrics bolted down to emotive, hard-charging rock ’n’ roll
pieces from Tad Kubler, lead guitarist for The Hold Steady and their previous band, Lifter Puller.
solo changed that, but he didn’t head halfway across the country
unprepared. First, Finn challenged himself to write one song a day, and
left with 50. He also drove across Australia by himself just to write
songs, which directly resulted in the album’s opening track, “Apollo
Bay,” and informed much of the rest of “Full Eyes,” which was released
“I was by myself driving in a car. You
can get really remote. You can get to places where you’re not seeing
other people pretty easily. I was in some touristy areas at times, but
it was in the off-season, so no one was really there,” he said. “I think
a lot of the songs on the record tap into being alone, or solitary. ...
But in one sense, we’re all alone in this world, you know? We enter and
leave it alone, so I guess that’s part of the record.”