Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Steady as he goes


Finding success with The Hold Steady, why would Craig Finn want to take a break? To be alone again, naturally.

Matt Carney February 1st, 2012  

Craig Finn with Horse Thief and Mount Moriah
6:30 Thursday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12 advance, $14 door

It’s hard work writing songs with characters vivid enough to fit a movie script or a novel.

Bespectacled rocker Craig Finn’s been doing it for a little less than a decade as the front man for The Hold Steady, Brooklyn’s beloved bar band. Although he’s recently taken a brief detour as a solo artist to focus on themes of displacement and loneliness, there’s no indication of a departure from the cadre of hard-drinking, drug-swapping, rave-throwing teenage hood rats who populate his previous work.

“I came into the studio Monday morning, shook everyone’s hand and by Friday night, we had 14 songs recorded, or at least the better parts of ’em,” Finn said of the recording sessions for “Clear Heart Full Eyes.”

“I was a little intimidated. It was outside my comfort zone, for sure. I’m still a fairly limited musician, so it was a challenge for me. I came out of it and it turned into something I really loved. I gained a lot of confidence from it.”

Weaned on Hüsker Dü and The Replacements growing up in Minnesota, Finn long has written lyrics bolted down to emotive, hard-charging rock ’n’ roll pieces from Tad Kubler, lead guitarist for The Hold Steady and their previous band, Lifter Puller.

Going solo changed that, but he didn’t head halfway across the country unprepared. First, Finn challenged himself to write one song a day, and left with 50. He also drove across Australia by himself just to write songs, which directly resulted in the album’s opening track, “Apollo Bay,” and informed much of the rest of “Full Eyes,” which was released last week.

“I was by myself driving in a car. You can get really remote. You can get to places where you’re not seeing other people pretty easily. I was in some touristy areas at times, but it was in the off-season, so no one was really there,” he said. “I think a lot of the songs on the record tap into being alone, or solitary. ... But in one sense, we’re all alone in this world, you know? We enter and leave it alone, so I guess that’s part of the record.”



Photo by Jeremy Balderson
 
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