Thursday 20 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Young restless


Instead of waiting for success to come to him, country star Chris Young grabbed it by the horns.

Joshua Boydston February 8th, 2012  

Chris Young with The Lost Trailers
7 p.m. Friday
Diamond Ballroom
8001 S. Eastern
diamondballroom.net
677-9169
$19 advance, $22 door

Since winning “Nashville Star” in 2006, Chris Young has been on a hot streak: three smash albums, high-profile tours and two American Country Awards.

It’s all a far cry from his start at a certain Tex-Mex restaurant chain, competing with sizzling fajitas for the crowd’s attention.

“I had a standing gig at an El Chico on the back patio,” Young said. “I brought my own PA and played four hours for tips.”

The Tennessee native took his show on the road, too, to similar fanfare.

“The rule used to be that if there were more people in the crowd than onstage, you had to play,” Young said. “We don’t have those sort of problems anymore. That’s what laid the groundwork for all of this. I wouldn’t be who I am if I hadn’t done those sorts of things.”

The 26-year-old country crooner is right in the thick of a run with Miranda Lambert, and he’s taking notes. After increasingly successful albums and singles, he hopes to be taking stadiums by storm as the headliner.

“Watching them manage their stage and own the crowd … I get ideas of what really works,” he said. “Hopefully, not too far down the road, we’ll be on our own tour.”

His newest album, 2011’s “Neon,” might have sped up the time getting to that point. Young never felt much stress in writing the follow-up to 2009’s hit disc, “The Man I Want to Be.”

“There wasn’t any pressure. There wasn’t anything hanging over our heads,” he said. “The only thing was the sentiment of wanting to make this better than the last record.”

He may have done just that.

“Neon” was met with critical acclaim and his strongest sales yet. Both singles, “Tomorrow” and “You,” topped Billboard’s country chart, and residencies at On the Border don’t appear to be near.

“I love everything about this record. Here already, we’ve had two No. 1s, but I’m even more proud and excited to see people respond to songs that aren’t even one of those singles,” Young said. “When you see them singing along with those songs at a show, nothing beats that.”



Photo by Rande St. Nicholas
 
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