Fledgling singer-songwriter and Purcell native Parker Millsap builds
quite a foundation with stand-up bassist Michael Rose on their debut, Palisade. From the sounds of it, a monumental career is in the works.
If anybody in Oklahoma is most likely to capitalize on wide-audience
distribution right now, it must be Broken Arrow’s R&B-flavored
rocker JD McPherson, whose debut album, Signs & Signifiers, was re-released last week by Rounder Records.
If I had to guess what field of medicine Moore-based rapper Double R (of Purple Mouth Bandits) had in mind for Dr. Digital, I’d have to go with psychiatry. Frankly, this album is pretty crazy.
Chris Young with The Lost Trailers 7 p.m. Friday Diamond Ballroom 8001 S. Eastern diamondballroom.net 677-9169 $19 advance, $22 door
Since winning “Nashville Star” in 2006, Chris Young has been on a hot streak: three smash albums, high-profile tours and two American Country Awards.
It’s all a far cry from his start at a certain Tex-Mex restaurant chain, competing with sizzling fajitas for the crowd’s attention.
“I had a standing gig at an El Chico on the back patio,” Young said. “I brought my own PA and played four hours for tips.”
The Tennessee native took his show on the road, too, to similar fanfare.
“The rule used to be that if there were more people in the crowd than onstage, you had to play,” Young said. “We don’t have those sort of problems anymore. That’s what laid the groundwork for all of this. I wouldn’t be who I am if I hadn’t done those sorts of things.”
The 26-year-old country crooner is right in the thick of a run with Miranda Lambert, and he’s taking notes. After increasingly successful albums and singles, he hopes to be taking stadiums by storm as the headliner.
“Watching them manage their stage and own the crowd … I get ideas of what really works,” he said. “Hopefully, not too far down the road, we’ll be on our own tour.”
His newest album, 2011’s “Neon,” might have sped up the time getting to that point. Young never felt much stress in writing the follow-up to 2009’s hit disc, “The Man I Want to Be.”
“There wasn’t any pressure. There wasn’t anything hanging over our heads,” he said. “The only thing was the sentiment of wanting to make this better than the last record.”
He may have done just that.
“Neon” was met with critical acclaim and his strongest sales yet. Both singles, “Tomorrow” and “You,” topped Billboard’s country chart, and residencies at On the Border don’t appear to be near.
“I love everything about this record. Here already, we’ve had two No. 1s, but I’m even more proud and excited to see people respond to songs that aren’t even one of those singles,” Young said. “When you see them singing along with those songs at a show, nothing beats that.”