Monday 21 May
 
 

Dark Crimes

Mill Creek Entertainment’s budget pack of noir, Dark Crimes, strongly goes against the notion that films in the public domain are there because they aren't any good. That’s nonsense.
05/18/2012 | Comments 0

The Aggression Scale

True to its title, The Aggression Scale begins quite aggressively: A woman just done with her daytime jog enters her home, whereupon a gunshot blasts her back out to her front yard. A hit man emerges and snaps a Polaroid for proof.
05/18/2012 | Comments 0

Cinema Verite

In 1971, the all-American, Nixon-loving clan known as the Loud family made history without even trying. They just allowed cameras into their lives for six months, and the result was PBS' An American Family, television's first reality series.
05/18/2012 | Comments 0

Knights of the Round Table

From 1953, Knights of the Round Table proudly boasts the CinemaScope logo as it opens, trumpeting itself as an epic Hollywood costumed drama on a massive scale: no expense spared, no detail ignored. And no story engagement.
05/17/2012 | Comments 0

The Wizard of Gore / The Gore Gore Girls

On the bloody heels of Something Weird Video's The Blood Trilogy comes another Blu-ray of pioneering indie filmmaker Herschell Gordon Lewis' well-known works. The disc may hold one feature fewer, but high-def beggars can't be choosers, so chew happily on what you got: 1970's The Wizard of Gore and '72's The Gore Gore Girls, which would be his last directorial effort for more than 35 years.
05/17/2012 | Comments 0
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Features
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Brief encounters


In honor of this year’s batch of Oscar-nominated shorts showing at Oklahoma City Museum of Art, we bring you short reviews of each.

Rod Lott February 8th, 2012  

Academy Award-Nominated Animated Short Films
5:30 p.m. Friday-Saturday

Academy Award-Nominated Live-Action Short Films
8 p.m. Friday-Saturday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8

ANIMATED 

“A Morning Stroll”
It sounds like the setup to a simple joke: Why did the chicken knock on the apartment door? This clever ditty answers it thrice, each with animation appropriate to the 1959, 2009 and 2059 time periods it depicts. Thus, we move from simple line drawings to today’s CGI, and ending with something out of “I Am Legend,” but with live poultry.

“The Fantastic Flying Books of Mr. Morris Lessmore”
A twist on “Wizard of Oz,” this charming offering literally sweeps our silent star into a world where books are living things. High on physical comedy and all-around wonder, it’s beautiful, inventive and the one to beat.

“Dimanche/Sunday” (pictured)
The cartooniest of the bunch explores one family’s Sunday rituals from the POV of a young boy. The misshapen characters and odd color scheme make for highlights.

“Wild Life”
A mild, painterly tale set in 1909 asks if an Englishman can make it as a Canadian farmer. The answer is no, and the title cards bafflingly relay facts on comets.

“La Luna”
The requisite Disney/Pixar entry takes a young boy to — you guessed it — the moon, from where he attempts to manipulate the audience’s emotions. —Rod Lott

LIVE-ACTION

“Pentecost”
A priest and an altar boy take center stage in this light comedy that builds to a joke that even Stevie Wonder would be able to see coming.

“Raju” (pictured)
In a scant 25 minutes, this handsomely crafted German film probes some weighty questions regarding the entitlement of the Western world. A German couple travels to Calcutta to adopt a 4-year-old boy, only to lose the child in a bustling market. One tough-to-swallow contrivance aside, the short is provocative, poignant and the odds-on favorite for the Oscar.

“The Shore”
Ciarán Hinds (“Tinker Tailor Soldier Spy”) stars in this quiet, affable tale of a man who returns to his native Northern Ireland and reconciles with an old friend. A bit longer than it needs to be — the short runs north of 30 minutes — but rewarding, nonetheless.

“Time Freak”
If you’ve seen “Groundhog Day,” you know where this is going, but why quibble? A nebbishy dude builds a time machine and gets caught up in rectifying every indignity and imperfection of his life. Who can’t relate?

“Tuba Atlantic”
This offering from Norway is wry, grimly funny and admirably inventive. An old man given six days to live copes with a ditzy “Angel of Death” volunteer while trying to reach his estranged brother overseas. —Phil Bacharach

 
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