Three volumes in and A Blackwatch Christmasyet again nabs a spot on the nice list, showcasing a smattering of Oklahoma artists with charming new holiday standards. This year shakes up the status quo with two themed halves — serving up dusty, countrified Christmas ditties on the Holly-Tonk side and soulful hip-hop carols with Jingle Beats, both with joyful returns.
It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
Lost Lander with Kefalonia 8 p.m. Monday The Conservatory 8911 N. Western conservatoryokc.com 607-4805 $6
Lost Lander founder Matt Sheehy spends a lot of time alone, out in the wild. It’s his job, actually.
The Alaska native is employed as a forester in his newly adopted home of Oregon, and it gives him a lot of time to think. Consequently, his music is similarly cerebral, if not also romantic, in a scientific vein.
“There’s a feeling I get when I’m in nature and studying nature, looking at trees or reading astronomy books, that makes you feel like you are scratching the surface on the true nature of the universe,” Sheehy said. “Not to get too crazy and metaphysical, but I feel like sometimes that happens with chords and melodies. I try to take what I’m feeling at work and create that same feeling in music.”
His newest pet project, Lost Lander, boasts a mountainous, lofty soundscape that reflects the landscapes in which he grew up.
“It feels like a smoothie of all the things I’ve done in the past,” Sheehy said. “It’s got that songwriter core that I did with my solo work, but with a little more sophisticated arrangements like with [neofolk act] Ramona Falls. I took my background and tossed it all into a blender.”
The finished product finds its way into Lost Lander’s debut, “DRRT,” which sounds a great deal like fellow Northwest Pacific coasters Band of Horses and Fleet Foxes, but with more punch and vitality. Hoards of others helped make the album what it is, whether through lending musical talents to the recording, leading fundraising efforts, collaborating on music videos or volunteering design work.
“This record was like going to grad school, just in terms of finding out the way other people work,” Sheehy said. “That’s been something that’s been really exciting for me. Being a part of a team has been rewarding.”
While available for download, the album’s physical version is unique, with packaging that unfolds into a planetarium that projects stars onto a darkened ceiling. Sheehy said he couldn’t resist bringing a little bit of nature indoors.
“We wanted CD packaging that would do more than just hold a CD,” he said. “People don’t do anything more with CDs anymore than stick them into iTunes, so we wanted something useful. Why not bring the stars into your bedroom?"