Monday 21 May
 
 

The Black Jack Gypsys — 3:1

Oklahoma City trio The Black Jack Gypsys doesn’t engage in any rock ’n’ roll posturing in its debut EP, 3:1. It’s the real deal.

05/16/2012 | Comments 0

Parker Millsap and Michael Rose — Palisade

Fledgling singer-songwriter and Purcell native Parker Millsap builds quite a foundation with stand-up bassist Michael Rose on their debut, Palisade. From the sounds of it, a monumental career is in the works.
05/09/2012 | Comments 0

Admirals — Admirals

With its self-titled debut EP, it’s not hard to see Stillwater rock outfit Admirals wears its influences on its sleeve.
05/02/2012 | Comments 0

JD McPherson — Signs & Signifiers

If anybody in Oklahoma is most likely to capitalize on wide-audience distribution right now, it must be Broken Arrow’s R&B-flavored rocker JD McPherson, whose debut album, Signs & Signifiers, was re-released last week by Rounder Records.
04/25/2012 | Comments 0

Double R — Dr. Digital

If I had to guess what field of medicine Moore-based rapper Double R (of Purple Mouth Bandits) had in mind for Dr. Digital, I’d have to go with psychiatry. Frankly, this album is pretty crazy.
04/04/2012 | Comments 0
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Music
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Hurt rockers


Want to hear what a modern-rock band sounds like without all the bells and whistles? You’ve got to Hurt.

Matt Carney February 15th, 2012  

Hurt
6 p.m. Tuesday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12 advance, $14 door

7 p.m. Wednesday, Feb. 22
Cain’s Ballroom
423 N. Main, Tulsa
cainsballroom.com
918-584-2306
$16 advance, $18 door

Despite playing a fairly straightforward, unpretentious type of music, a lot of modern- and alt-rock bands treat the stage like a political platform and the microphone like a bullhorn.

Hurt front man J. Loren Wince has no patience for such abuse.

“Honestly, I wish they would shut the fuck up. They have no idea what they’re talking about,” Wince said. “There’s nobody more disassociated with the common man than somebody who lives on a bus. It’s not our place.”

As if the Virginia act somehow couldn’t seem more earnest, Hurt is currently on a months-long acoustic tour across the country, stripping out the electronic noise of its radio hits like “Falls Apart” and “Rapture,” and filling the void with simple strings and the virtuosic help of Juilliard-trained cellist Patrice Jackson.

“When you’re playing acoustic, it opens up a whole new realm of freedom,” Wince said. “It kinda lets all the musicians shine, to do what they’re comfortable with. We’ve learned to play together better, and that’s really important to us.”

Originally scheduled to run through last November, the tour expanded to include more acoustic shows through March, almost up to the April release of the group’s sixth album, “The Crux.”

Hurt’s Tuesday-night date with The Conservatory and the following day’s stop at Cain’s Ballroom in Tulsa will be two of the last chances to hear the band unplugged from its typically oversized speakers.

“It will be pretty sad to see the acoustic shows go, because it’s been a lot of fun,” Wince said. “[They’re] out of the ordinary — a very fulfilling experience. You get to jam a lot and it’s not too structured.”

The only original member of the band, Wince has been playing with bassist Rek Mohr since 2008, although guitarist Michael Roberts and drummer Victor Ribas were more recent additions. Wince said the acoustic tour has strengthened their rapport, something that attentive fans have noticed and appreciated.

“I thought it was important, instead of running out, to take the time to get to know each other as musicians, and sound like a band that’s been playing together for 10 or 20 years,” Wince said. “That’s what we were going for and that’s where we’ve been getting.”


 
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