Wednesday 23 Apr


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

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04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0
Home · Articles · Movies · Comedy · Knights of Malice

Knights of Malice

Rod Lott February 22nd, 2012

Knights of Malice
8-11 p.m. Saturday
City Arts Center
3000 General Pershing

While “Knights of Malice” is not the best effort from local director Mickey Reece and his version of the Mercury Theatre players, it carries the most distinctive opening: that of the “Star Wars” crawl.

Turns out, there’s a reason for the Jedi-rific reference, but I leave that for audiences to discover when the film debuts Saturday at City Arts Center. As usual, Reece has turned his premiere into a party, with free beer from Titswiggle Brewing Co. and the requisite musical guest, Joey Paz of Norman band Luna Moth.

In “Malice,” mild-mannered Joan (Stacey Cunningham), a night-shift receptionist at a bail bond office, shares fluids with slacker Tucker (Jacob Ryan Snovel), but no emotions or information. Instead, her heart belongs to her Don Draper-channeling boss, Jack (Dustin Sanchez).

Being introverted, Joan doesn’t let him know, so her sexy, snooty pal (Rebecca Cox) does something about it: She seduces Jack, who belies his clean-cut image by asking for dirty talk and to be spit upon. So begins a skewed, dangerous love triangle, or quadrangle, or perhaps something that isn’t quite a shape. At times, Reece’s narrative is equally malformed, as if it tries to be two to three things at once, with no single approach winning out.

Still, it’s tough to dislike. Cox and Rhianan Hilliard are hilarious as Joan’s oil-and-water friends. Their dialogue and others’ remain sardonically smart — witness: “Sounds like an international best-selling trilogy written by Stephen King if he had a stroke and started writing novels for pedophiles,” and “Let’s not kid ourselves: You have the physical attributes of a snapping turtle.”

  • Currently 3.5/5 Stars.
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