Friday 24 May
 
 

The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0
Home · Articles · Movies · Drama · Game Change
Drama

Game Change


Not nearly as good as the book, but vote Moore for the Emmy.

Rod Lott March 7th, 2012

Nearly every scene of HBO's telefilm Game Change, I recall from John Heilemann and Mark Halperin's excellent nonfiction book of the same thing. But the movie directed by Jay Roach (of the Austin Powers and Meet the Parents franchises) only tells half — maybe even one-quarter — of the story, ignoring the 2008 presidential-campaign narratives of Barack Obama, Hillary Clinton and John Edwards for the one it finds most compelling: that of Sarah Palin and John McCain, and not the other way around.

gamechangeposter

If Sen. McCain's choice of the largely unknown Alaska Gov. Palin as his veep choice seemed out of nowhere then, there's good reason: Because it pretty much was. McCain, here played by Ed Harris (Man on a Ledge), wanted Sen. Joe Lieberman, but was talked into someone “more transformative” by hired gun Steven Schmidt (Woody Harrelson, Rampart).

At that point, so pressed for time was the McCain campaign, Palin (Julianne Moore, Crazy, Stupid, Love) wasn't vetted properly. For example, she informed Schmidt and company of her daughter Bristol's out-of-wedlock pregnancy, but not of her husband's membership in Alaska's secessionist party. Nor the extent of her political knowledge — or lack thereof — as she doesn't know why there's a North and South Korea, what the Federal Reserve is, or who ordered the 9/11 attacks (she says Saddam Hussein).

While facts were not Palin's strong point, acting was. Once the campaign just let her be her, McCain’s journey toward the White House got back on track ... but at the expense of McCain, who no longer could control her power grab. About all he could do is say "fuck" an awful lot (in stark contrast to her one and only curse word: “flippin’”).

To that extent, Harris' McCain is pretty much a beer-drinking cartoon. That's not the actor’s fault; that's all the script gives him to do. He's a supporting player to the tug of war between Schmidt and Palin. Harrelson is strong as expected, but Moore is stronger — so much so that I literally forgot I was watching her. Naturally, she's best portraying the side of Palin we've never seen: so stressed, she's increasingly catatonic, and not from her constant consumption of Diet Dr Pepper.

While Moore proves the best choice for the role, the scenes of the behind-the-scenes reactions to Palin's speeches and debates are the definition of forced, from "She's incredible!" to "Now I know why they call her Sarah Barracuda!" Lines like those keep Game Change, premiering Saturday, at that made-for-TV level, despite that top-drawer talent. It’s good, but not transformative good. —Rod Lott

 
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