Thursday 24 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Grand Ambassadors

Grand Ambassadors

Looking for your next favorite New York indie-rock outfit? We proudly present Ambassadors.

Matt Carney March 14th, 2012

Ambassadors with Lights
7 p.m. Tuesday
Cain’s Ballroom
423 N. Main, Tulsa


Violin sighs give way to a harmonious chorus on “(O Death),” the funniest, shortest song on Ambassadors’ debut album, Litost. The ironically titled tune is so purposely not serious as to toss a lyrical red herring into the middle of a meditation on the afterlife: “O death, show me your teeth / For I’m trained in the art of dentistry!”

However absurd, Ambassadors’ comedy comes neither unintentionally nor without careful thought.

“It’s important to have a good sense of humor about everything that happens to you,” said front man Sam Harris. “I wrote that after everyone was on their way to recovery.”

Blind since birth, his brother Casey was working as a piano tuner when the Harrises committed to the band full-time in 2010 with friends Noah Feldshuh, guitarist, and Adam Levin, drummer.

Shortly thereafter, another of Casey Harris’ lifelong medical conditions necessitated a kidney transplant. Their mother, a cabaret and jazz singer, was the donor.

“We’re glad it turned out well,” Sam Harris said. “It’s hard for me to write songs about things that happen right then and there. It takes me two or three years to write about something, and write about it well.”

Having safely escaped into the medical clear, Ambassadors now are focused on touring — with a Tuesday stop at Cain’s Ballroom in Tulsa — to support their impressive debut disc.Litost pounds airy, cooing vocals; R&B beats; and pop string arrangements into a tribal, indie-rock mash that begs comparison to Givers and Local Natives, but Ambassadors’ ears are more attuned to alt-rock.

“The minute we feel like we’re starting to box ourselves in or turn into something that’s definable, we immediately try to veer away,” Harris said, explaining the polarity of influences. “That’s when we get into danger zone.”

Their love of disparate genres is evident by the impressive range of covers available for free download on Ambassadors’ blog:Nicki Minaj’s “Save Me,” Ginuwine’s “Pony,” LCD Soundsystem’s “Someone Great,” The Strokes’ “Is This It,” Björk’s “Hyperballad” — the list goes on.

“People love that shit,” Harris said. “We never want to do anything too straightforward.”

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