Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Grand Ambassadors


Looking for your next favorite New York indie-rock outfit? We proudly present Ambassadors.

Matt Carney March 14th, 2012

Ambassadors with Lights
7 p.m. Tuesday
Cain’s Ballroom
423 N. Main, Tulsa
cainsballroom.com
918-584-2306

ambassadors_10-58x7-44cm

Violin sighs give way to a harmonious chorus on “(O Death),” the funniest, shortest song on Ambassadors’ debut album, Litost. The ironically titled tune is so purposely not serious as to toss a lyrical red herring into the middle of a meditation on the afterlife: “O death, show me your teeth / For I’m trained in the art of dentistry!”

However absurd, Ambassadors’ comedy comes neither unintentionally nor without careful thought.

“It’s important to have a good sense of humor about everything that happens to you,” said front man Sam Harris. “I wrote that after everyone was on their way to recovery.”

Blind since birth, his brother Casey was working as a piano tuner when the Harrises committed to the band full-time in 2010 with friends Noah Feldshuh, guitarist, and Adam Levin, drummer.

Shortly thereafter, another of Casey Harris’ lifelong medical conditions necessitated a kidney transplant. Their mother, a cabaret and jazz singer, was the donor.

“We’re glad it turned out well,” Sam Harris said. “It’s hard for me to write songs about things that happen right then and there. It takes me two or three years to write about something, and write about it well.”

Having safely escaped into the medical clear, Ambassadors now are focused on touring — with a Tuesday stop at Cain’s Ballroom in Tulsa — to support their impressive debut disc.Litost pounds airy, cooing vocals; R&B beats; and pop string arrangements into a tribal, indie-rock mash that begs comparison to Givers and Local Natives, but Ambassadors’ ears are more attuned to alt-rock.

“The minute we feel like we’re starting to box ourselves in or turn into something that’s definable, we immediately try to veer away,” Harris said, explaining the polarity of influences. “That’s when we get into danger zone.”

Their love of disparate genres is evident by the impressive range of covers available for free download on Ambassadors’ blog:Nicki Minaj’s “Save Me,” Ginuwine’s “Pony,” LCD Soundsystem’s “Someone Great,” The Strokes’ “Is This It,” Björk’s “Hyperballad” — the list goes on.

“People love that shit,” Harris said. “We never want to do anything too straightforward.”

 
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