Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music Made Me: Cameron Neal


Horse Thief’s lead singer speaks about the five albums that he holds dear.

Matt Carney March 21st, 2012  

Grateful Dead, American Beauty (1970)
From the nine months before I was born until now, this album and every other album by The Grateful Dead has been playing in my life. The free-spirit sound and attitude of this band is a huge part of who I am today. This would be a band that has changed the way I’ve thought about more life situations than religion. The smooth feeling of folk with a blend of psychedelic sound waves on this album speaks to me in ways little music does.

Neil Young, Harvest (1972) 
Choosing this album was harder than I thought it’d be, since I’m truly in love with almost everything Neil’s put out. Even to this day, he’s able to experiment with his style. This album needs to be regularly spinning for any songwriter — the lyrics are heavy and inspirational.

The Beach Boys, Pet Sounds (1966)
From a recording standpoint, this album affected the way I thought about everything. The tone and sounds are still some of the cleanest and fullest I’ve heard. The production and instrumentation is some of the most unique since the dawn of music. To create something this great back in the ’60s only makes me wonder how people can move it to the next level nowadays with technology.

Sigur Rós, Takk ... (2005)

My dear friend and drummer, Preston Greer, introduced me to this band during my high school years. I’d spend hours dissecting it, closing my eyes, listening in a dark room, field or mountain landscape. It changed my perspective on how music can achieve fullness without using traditional instruments, and still be rich in emotion. It will always be one of the top spiritual and thought-provoking records in almost any situation. 

 My Morning Jacket, It Still Moves (2003)
A band that got me back into real rock ’n’ roll while holding onto the roots of traditional folk music. I have to thank my father for showing me this band at a critical point in my teenage years. This record isn’t “just another album” to me, but the best way to sum up everything My Morning Jacket can stand for. An incredible soundscape, all recorded in a corn silo.

Read a review of Horse Thief's debut album, Grow Deep, Grow Wild.

 
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