Sunday 20 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Doobie Doobie do


Four decades strong, The Doobie Brothers are still ‘Takin’ It to the Streets.’

Joshua Boydston March 28th, 2012

The Doobie Brothers
8 p.m. Friday
Riverwind Casino
1544 W. State Highway 9, Norman
riverwind.com
322-6000
$48-$58

Classic-rock legends The Doobie Brothers couldn’t have foreseen all the highs and lows when they formed four decades ago. The California-born group is responsible for some of the biggest hits of the ’70s, including “What a Fool Believes,” “Black Water,” “China Grove” and “Listen to the Music,” all while undergoing dramatic stylistic shifts and persistent personnel changes.

Michael McDonald took the reins in the mid-’70s, before the act temporarily disbanded the following decade.

The subsequent reunion and years since have brought back a handful of albums, successful tours and some heartbreak, like March 12’s passing of drummer Michael Hossack.

Still, The Doobie Brothers keep a level head.

“Nobody expected anything at anytime. We were taking it a day at a time. Still do,” guitarist and founding member Tom Johnston said. “We’ve been very fortunate all the way around.”

In some ways, the band feels like nothing has changed at all.

“We had a plane back in the ’70s — that’s about the only big difference,” Johnston said. “We keep as busy as we ever were. Every year, we are out, doing anywhere from 80 to 90 shows.”

According to him, the group has yet to phone it in, despite that longevity.

“The live show sounds better than ever,” Johnston said. “Everyone makes a point to be at the top of their game.”

The band’s latest album, 2010’s World Gone Crazy, was its first in a full decade. Even now, a year and a half removed from its release, Johnston and company are still buzzing with excitement and enthusiasm for the disc.

“This is the best album we’ve done since Stampede,” he said, comparing World to that 1975 smash. “Everyone walked out of the studio thinking, ‘Yeah, we did a great job.”

Currently, no plans for a follow-up exist, but Johnston doesn’t deny the possibility. For now, however, the bulk of the band’s energy is fixated on touring, with a co-headlining tour with Chicago coming up this summer.

“Playing live is always the best part for me, and always has been,” Johnston said. “Every show is different, even playing the same songs. The room is different, the crowd is different, so it’s always a challenge to get out there and get the people rocking.”

 
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