Wednesday 23 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · Beneath the Keith

Beneath the Keith

Even if audiences didn’t love John Paul Keith’s music, he’d still love playing it. But they do.

Joshua Boydston April 4th, 2012

John Paul Keith with The Copperheads and Black Canyon
8:30 p.m. Friday
VZD’s Restaurant & Club
4200 N. Western

Memphis blues and soul man John Paul Keith is wiser than most about the music industry. Clocking years in playing affords him a certain perspective.

“We were coming back home from Baton Rouge on a Sunday afternoon. I was driving the van, and you think, ‘God, this is a long drive,’” he said. “It occurred to me, ‘I love this.’ You have to love it. Some people love playing, some people love recording, but you’ve got to love every minute. You have to.”

There for a while, however, he didn’t. Keith had spent a decade in Nashville; he signed a record deal at the age of 21. Efforts to push his rootsy sound to something more commercial burnt him out.

“Even if you tell yourself you aren’t going to be one of those guys, when everyone you know is a part of that culture, you start to, whether you mean to or not,” he said. “That’s what I did, and I was not very good at it.”

Disillusioned, he moved to Memphis with the intention of leaving it all behind. But the sound of the blues filling the streets rekindled the romance, and he soon found players and audiences who approved of his vintage sensibilities and God-given guitar talents.

“What became apparent was this was the most open-minded place I’d ever lived, as far as music goes. Everybody was cool with whatever you did, as long as you meant it,” Keith said. “Nobody cares if it’s hip or not. It does not matter. It couldn’t matter less. You’re free to do what you love.”

His music is an even blend of all things old and classic, where garage rock and rockabilly find as much footing as ’60s pop and blues. His latest album, The Man That Time Forgot, has been praised for how honest and true it sounds to the ’50s and ’60s.

“We live in an age of robotic rhythm,” Keith said. “We try real hard to make our songs swing, to make them boogie. You can’t do that with a machine.”

So far, it’s worked exceedingly well, and he’s happier than ever.

“We opened up for Chuck Berry in St. Louis recently. He’s 84 and still gigging,” he said. “He doesn’t need the money; he just loves doing it. I hope that’ll be me someday.”

  • Currently 3.5/5 Stars.
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