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IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
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Rev up


Changing hearts and minds one song at a time, Emma’s Revolution keeps fighting the good fight.

Chris Parker April 11th, 2012

Emma’s Revolution
7 p.m. Saturday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15-$20

One of good spirits and consciousness raising, Emma’s Revolution came to life in 2002, driven by the creative and romantic partnership of Pat Humphries and Sandy Opatow. It took eight years for the fire to spark, but when it did, Humphries was blown away.

“I was really struck by the tremendous ease with which we could sing together,” Humphries said. “But I didn’t really know how the writing would happen. It came together so organically, it was really an enchanted feeling. It was almost like we couldn’t stop the songs from coming.”

The duo attempted many names before settling on Emma’s Revolution, a reference to the famed statement “If I can’t dance, I don’t want to be part of your revolution,” credited to anarchist Emma Goldman. It’s fitting for an act that doesn’t adhere to folksinger rules.

“When we write these songs, we don’t write it necessarily with our guitar in our hands,” Opatow said. “We write the songs the way they sound in our head. We don’t feel limited by ‘We’re acoustic musicians, so we have to sound like whatever people’s idea of that is.’” Revolutions Per Minute, their fourth album, is an eclectic batch of tunes, culling from modern rock and bluegrass. The latter appears on “Occupy the USA,” a track that invites “the 1 percent in power, meet the other 99.”

Humphries wrote the cut last Oct. 6, just in time to get it on the CD, which came out the following month.

“When you’re doing social-justice music, that’s how fast time moves,” Opatow said, “so actions and the music need to move with it.”

Much of Emma’s Revolution’s music is a rallying cry meant to offer hope to those fighting the good fight.

“I would like us just as a culture to be a more attuned to how easily we can be manipulated by the powers that benefit from polarization,” she said. “People are more flexible, tolerant and resilient than we give them credit for.”


 
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