It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
Emma’s Revolution 7 p.m. Saturday The Blue Door 2805 N. McKinley bluedoorokc.com 524-0738 $15-$20
One of good spirits and consciousness raising, Emma’s Revolution came to life in 2002, driven by the creative and romantic partnership of Pat Humphries and Sandy Opatow. It took eight years for the fire to spark, but when it did, Humphries was blown away.
“I was really struck by the tremendous ease with which we could sing together,” Humphries said. “But I didn’t really know how the writing would happen. It came together so organically, it was really an enchanted feeling. It was almost like we couldn’t stop the songs from coming.”
The duo attempted many names before settling on Emma’s Revolution, a reference to the famed statement “If I can’t dance, I don’t want to be part of your revolution,” credited to anarchist Emma Goldman. It’s fitting for an act that doesn’t adhere to folksinger rules.
“When we write these songs, we don’t write it necessarily with our guitar in our hands,” Opatow said. “We write the songs the way they sound in our head. We don’t feel limited by ‘We’re acoustic musicians, so we have to sound like whatever people’s idea of that is.’” Revolutions Per Minute, their
fourth album, is an eclectic batch of tunes, culling from modern rock
and bluegrass. The latter appears on “Occupy the USA,” a track that
invites “the 1 percent in power, meet the other 99.”
Humphries wrote the cut last Oct. 6, just in time to get it on the CD, which came out the following month.
you’re doing social-justice music, that’s how fast time moves,” Opatow
said, “so actions and the music need to move with it.”
Much of Emma’s Revolution’s music is a rallying cry meant to offer hope to those fighting the good fight.
would like us just as a culture to be a more attuned to how easily we
can be manipulated by the powers that benefit from polarization,” she
said. “People are more flexible, tolerant and resilient than we give
them credit for.”