The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.
And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.
ACM@UCO Rocks Bricktown with The English Beat, Colour Revolt, Horse Thief and more 5 p.m. Thursday-2 a.m. Friday across Bricktown acm-uco.com 974-4700 free
The English Beat
UPDATE:The English Beat will play ACM@UCO Performance Lab, 329 E. Sheridan, at 9:30 p.m. tonight, Friday, April 20, since last night's show was canceled due to rain.
British ska legends The English Beat are as much a part of cinematic history as they are musical, what with being responsible for the bubbly music that scores Matthew Broderick’s rush home near the end of the ’80s comedy classic Ferris Bueller’s Day Off.
Broderick gave front man Dave Wakeling a memento from the set: the baseball tossed into the stands during the Cubs game.
“Unfortunately, I let the dogs and kids play with it,” Wakeling said. “There’s no other use for a baseball in England.”
The Beat’s legacy goes far deeper than soundtracks. As forefathers of ska, they forged a genre known as 2 Tone — an amalgamation of ska, punk, New Wave and reggae — marked by a socially conscious message that holds true today.
“A lot of the original lyrics were written in the ’70s and early ’80s in the midst of a recession and class warfare,” Wakeling said. “They seem to be resonating quite ominously now.”
Juxtaposed against that message is the dynamic that led to the group’s destruction in 1983, dissolving into such notable acts as Fine Young Cannibals and General Public before Wakeling reformed The English Beat with an entirely new lineup, mostly on accident.
The band is enjoying a sustained revival of ska music, playing for fans new and old despite not having releasing new material in quite some time. “We have couples bringing their grown children,” Wakeling said. “They know all the words because they were strapped in the back seat and forced to listen over and over.”
After headlining Thursday’s ACM@UCO Rocks Bricktown event, the near future will find Wakeling re-releasing more English Beat and General Public tunes, and hopefully touring with both groups, ideally alongside fellow Brit rockers Big Audio Dynamite — as long as the end of the world doesn’t arrive first.
“I’m getting scared,” Wakeling said.
“Everything feels so well-planned that it probably is the apocalypse.”
7 Favorite Band Names from the ACM@UCO Rocks Bricktown Lineup
An Airbag Saved My Life 2. Cryptic Incarnation 3. The Sucker Punks 4.
Funk Bandit 5. Giraffe Massacre 6. Leo Goes Grr 7. Psychic Milk