Sunday 19 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Hudson Moore found the country stage, not college, to be his calling.

Joshua Boydston May 9th, 2012  

Spring Jam with Hudson Moore, Casey Donahew Band, Sunny Ledfurd and The Damn Quails
5:30 p.m. Saturday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
$22-$25

Hudson Moore is something of a young gun on the country circuit. At just 22, he’d seem more at place at college than opening for the likes of Alan Jackson. In truth, he’d be right in the thick of finals if not dropping out to pursue music full-time.

“I had these songs that I had written over the past five or so years and recorded it there in Austin, and we just got a really good reaction,” Moore said of his debut album, 2010’s Fireworks. “Before you know it, we were booked to play every night of the week. My desire to play music was greater than school. We were having to turn down good opportunities, so I decided to put my education on hold.”

Although the Texan thought he’d ditched the world of ramen noodles for bar gigs, he soon found himself thrust into a different kind of freshman year, attempting to find footing alongside contemporary country and Red Dirt favorites like Kevin Fowler and Reckless Kelly.

“It’s kind of like a fraternity. They are all brothers. I’m kind of the newcomer … the pledge,” Moore said.

“Pat Green has taken me under his wing, introducing me to his fan base. For someone like that I’ve always looked up to, it’s really special.”

Moore is in the midst of recording a follow-up EP and single for release early this summer. He said the material will be more focused on a pop-country sound than Fireworks, which recalls anything from Keith Urban to B.B. King to Dave Matthews in the span of a song or two.

“There were so many different sounds.

People didn’t really know how to describe me. That first album was a chance for me to play around in the studio, to grow as an artist and put down any idea I had,” Moore said. “Now, I’m concentrating my efforts and finding myself as an artist. The more you play, the more you find out who you are and what you want to say.”


 
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