It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
Vacationer with Tennis and Eureeka! 9 p.m. Thursday Opolis 113 N. Crawford, Norman opolis.org 820-0951 $10-$12
Vacationer’s work isn’t so much songs as aural postcards from Mumbai or St. Croix. The relaxing electro is certainly a far cry from the frenetic pop-punk that made mastermind Kenny Vasoli famous with The Starting Line.
“I always just want to make the music that makes me excited,” he said. “I’d been getting deeper and deeper into electronic music since about 2005. I was itching to see what would happen between myself and a collaboration with electronic producers.”
TSL bandmate Matt Watts suggested Matthew Young and Grant Wheeler from New York City dance outfit Body Language, which programmed a good chunk of Passion Pit’s breakout album, Manners. The three made a fast connection, bonded by similar sensibilities.
“That whole chillwave movement thrilled me … that idea that electronic music could be gazey and relaxing,” Vasoli said. “I wanted to have a pure hybrid of live band music and electronic music.”
While the name Vacationer suited the music to a T, it came only after writing a good deal of what would become the debut disc, Gone.
“The urge for travel and to
use this as a vessel to take us to exotic places kind of came later in
the story, once the vision got realized,” Vasoli said. “We were
listening to old Polynesian records and a hell of a lot of Harry
He’s quite proud of the album, released in March.
the most focused record I’ve been able to put out yet, and the easiest
listen out of all them. It’s got a strong, rolling vibe,” Vasoli said.
“I unashamedly listen to this record a lot, and I’m glad that these
songs have gotten old and still stayed interesting to me.”
weeks since South by Southwest have been a whir, with Vacationer living
up to the amount of travel its moniker suggests. Things are going
swimmingly, and The Starting Line waits on the back burner.
focus is admittedly on this at the moment, but my focus is changing
from year to year. If we get a good offer to do something, I have no
reason to say ‘no,’” he said. “But it’s nice to see this pick up steam.
Lightning doesn’t strike twice, so I’ve kind of got to let this go while