Wednesday 30 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
Home · Articles · Reviews · Folk · Parker Millsap and Michael Rose...
Folk
 

Parker Millsap and Michael Rose — Palisade


Joshua Boydston May 9th, 2012

Fledgling singer-songwriter and Purcell native Parker Millsap builds quite a foundation with stand-up bassist Michael Rose on their debut, Palisade. From the sounds of it, a monumental career is in the works.

palisdade_1

Like velvet laid over gravel, Millsap’s voice plays gruff, jagged and unexpectedly smooth at the same time. He captures the essence of Tom Waits’ vocals better than a 19-year-old singer ever should; fans of Closing Time-era Waits will find lots to like here, albeit more countrified.

The opening title track saunters with a saucy strut that lets out a wallop over Millsap’s equally impressive abilities on the guitar. The more delicate “Seed” drifts like a dandelion across the sunset, and the pair fires full-force on the harrowing “Farmer’s Lament” and never lets down over 11 tracks.

It’s important not to undervalue Rose’s contributions. He’s not just Robin to Millsap’s Batman; his expertly placed bass lines give Palisade the weight it needs in lieu of drums or other backup.

Most impressive is that despite every opportunity to sand down that monumental voice into something more accessible and bending the arrangements to a poppier plane (think Mumford & Sons), the duo commits wholeheartedly to a more vintage appeal, thus giving them a character and credibility few other acts enjoy.

Palisade is dynamite, and if the right pieces fall into the right places, it’s not hard to imagine Millsap’s name up there with the likes of modern folk troubadours like Ray LaMontagne and Ryan Adams. He’s just that good. —Joshua Boydston


 
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