Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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David lean


To deliver his sparse songs, David Ramirez needs only a guitar, his voice and a place to play — preferably not at a hotel for dogs.

Stephen Carradini May 16th, 2012  

David Ramirez and Matthew Mayfield with Justin Joslin and Braylon Warr
8 p.m Wednesday, May 23
VZD’s Restaurant & Club
4200 N. Western
vzds.com
524-4203

Singer-songwriter David Ramirez needs only an acoustic guitar to perform his heartrending tunes. Since he can fit all his gear in the front seat of a sedan, his tour expenses are low, meaning he can tour often. But living on the road ensures some gigs will be out of the ordinary.

“I was at this joint in Chicago, and it was a Tuesday night,” said the Austin, Texas-based Ramirez. “I’m thanking everyone for coming out on a weeknight, and someone from the back yells out, ‘We would have been here regardless!’ Then a woman started playing fetch with her dog, so the dog was running up on the stage.”

Metro music fans can expect fewer mutts milling about next Wednesday, when Ramirez takes the stage at VZD’s, with Matthew Mayfield in tow.

Although VZD’s is a restaurant and venue, its setup guarantees that the concert will be nothing like an unforgettable one he played at this spring’s South by Southwest. His schedule read, “Hilton Lobby,” but fans who showed up found Ramirez stuck playing in a corner of the hotel’s restaurant, right next to the door from the kitchen.

“I don’t necessarily mind people that talk, but dishes clanking and food orders being brought out in front of the stage is not an ideal situation,” he said.

For an artist whose songs often are sparse and intimate, having a carefully constructed mood punctured by zooming waiters bearing plates of piping-hot food was uncomfortable at best. But Ramirez, with all those shows behind him and many more in front of him, took it in stride and put on a great show for his audience.

“You make do. Especially at [South by Southwest], you get put in the most random places,” he said.

Still, at that same festival, he played his first official SXSW set.

It’s a sign of moving up in the music world, and it couldn’t come at a better time. Ramirez, who is fond of releasing live albums and EPs, will offer Apologies, a full-length studio effort, in August. He’ll undertake another big tour to support the album, with plans to incorporate a live band into some of those trips.

Until the album drops, he’ll keep touring on just a guitar and a voice, bringing his heartfelt tunes to listeners both human and canine.


 
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