Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Dial H for Hero


In the case of Local H, the H stands for hardworking, hard-rocking and — in both sound and bond — harmonious.

Joshua Boydston May 23rd, 2012  

Local H with Psychotic Reaction and Fablecar
8 p.m. Thursday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$10

At 42, Scott Lucas may be getting older, but he’s not giving up on music. In fact, he’s even more committed.

As half of the Chicago rock duo Local H (“Bound to the Floor”), Lucas evidently found one band’s full slate of touring and recording as not enough, so he struck up a solo project, Scott Lucas and the Married Men, which releases its second album on June 5.

“I was writing these songs, and they totally weren’t Local H songs. It felt totally right for a solo record,” Lucas said. “I love playing and I love to tour; the more I can do, the better.”

The Married Men tracks take on a more Americana-influenced, folk-flavored sound than the grungier one Local H is known for, but the line can be fuzzy, since Lucas always wanted the Local H sound to be ambiguous.

“I’d always wanted Local H to be able to play anything, so it’s not always a clear distinction, at least to listeners. It’s kind of like pornography: You don’t know what it is, but you know when you see it,” he said. “I don’t see myself stopping Local H anytime soon. If I did that, it would mean that I stopped writing Local H records, and that doesn’t happen.”

He’s backed up those words with action. Local H’s seventh studio album, Hallelujah! I’m a Bum, is due this year.

“We had an idea of what it would be pretty early on, and I’m glad we pulled it off. It’s big — double-record big. It’s the biggest thing we’ve tried to do thus far,” Lucas said. “It’ll be interesting to see reactions. The last record was so personal. This record, I wanted to look around at the country and write about that feeling. It’s very of-the-moment.”

Even as Local H celebrates 25 years together, Lucas doesn’t see him and Brian St. Clair slowing down any time soon. So what’s kept them around?

“Bullheadedishness — a sense of always trying to be present,” he said. “It’s never gotten to a point where we looked to rest on past records. We’re always looking forward and trying to do something else. It’s a certain level of commitment that not everyone has. It’s just the way it is.”

 
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