With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
The real-life Bernie Tiede was the toast of Carthage, Texas. An
assistant funeral director with a gift for consoling grieving widows,
the portly Bernie was gentle, solicitous and unflaggingly polite. He
spruced up many a funeral service with his spot-on tenor, to say nothing
of his penchant for lavishing gifts on everyone he came across.
Bernie was also a murderer, as it turned out, convicted in 1997 of killing an 81-year-old widow and stuffing her body in a meat freezer. But in the eyes of townsfolk, that didn’t make him any less lovable.
In Bernie, now playing, our antihero is played by Jack Black (Gulliver’s Travels), but it’s not the feisty, mugging Black you’re used to seeing. Affecting a fey Texas accent and dainty mannerisms that stop just short of caricature, he deftly plays against type, but with enough bottled-up edginess to hint at darker recesses under the Southern congeniality.
Director Richard Linklater (Me and Orson Welles) has made Bernie a low-key docudrama and sly black comedy, especially in his generous use of recollections by actual Carthage residents who knew both Bernie and Marjorie Nugent (Shirley MacLaine, Valentine’s Day), the mean — and very rich widow — he dispatched with a .22 rifle.
His consoling of Marjorie after her husband’s death had turned into a May-December courtship, despite the town’s widely held suspicions that he was gay. The two became inseparable, at least until she disappeared.
Buoyed by Black’s superb performance and a funny turn by Matthew McConaughey (The Lincoln Lawyer) as the district attorney flummoxed by the killer’s popularity, Bernie is a compelling hybrid of true crime and dark comedy.