Monday 21 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Irish tunes of Flogging Molly...

Irish tunes of Flogging Molly becoming St. Pat's tradition

Graham Lee Brewer March 15th, 2007

For a growing number of young Americans, there is a staple of St. Patrick's Day beyond green beer and four-leaf clovers: the music of Flogging Molly.   "In Ireland, it's not a particular...


For a growing number of young Americans, there is a staple of St. Patrick's Day beyond green beer and four-leaf clovers: the music of Flogging Molly.
"In Ireland, it's not a particularly celebratory day. You spend all day in church and have a kind of low-key parade," mandolinist Bob Schmidt said, "But here in the States, it's turned into this great celebration of Irish-American heritage, and being a part of it is great fun."
Based in Los Angeles, Flogging Molly marries the influences of both punk rock and traditional Irish folk songs for a style that sounds like what Charlie Daniels would have made, had he grown up in an Irish pub listening to Dropkick Murphys.
"It's hard to be in a band with any kind of Irish influence and not have St. Patrick's Day not be important," Schmidt said. "We've been doing a tour this time of year for going on three years now. It's a great ramp up to the holiday and allows us to extend the festivities of it all a while more."
Flogging Molly does what every good punk band should: Reach out to the disenfranchised youth.
"Rock has always been the poetic outcast music. Punk rock has always been the rebel voice. I think, for us, it's more about connecting with kids who are more like-minded," Schmidt said. "It's more important to go to places like Tulsa, Okla., and reach out to kids who are dissatisfied with the Bible Belt mentality and the pro-Bush mentality and make them feel like they're not crazy for thinking that." "Graham Lee Brewer
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