Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Irish tunes of Flogging Molly...

Irish tunes of Flogging Molly becoming St. Pat's tradition

Graham Lee Brewer March 15th, 2007

For a growing number of young Americans, there is a staple of St. Patrick's Day beyond green beer and four-leaf clovers: the music of Flogging Molly.   "In Ireland, it's not a particular...


For a growing number of young Americans, there is a staple of St. Patrick's Day beyond green beer and four-leaf clovers: the music of Flogging Molly.
"In Ireland, it's not a particularly celebratory day. You spend all day in church and have a kind of low-key parade," mandolinist Bob Schmidt said, "But here in the States, it's turned into this great celebration of Irish-American heritage, and being a part of it is great fun."
Based in Los Angeles, Flogging Molly marries the influences of both punk rock and traditional Irish folk songs for a style that sounds like what Charlie Daniels would have made, had he grown up in an Irish pub listening to Dropkick Murphys.
"It's hard to be in a band with any kind of Irish influence and not have St. Patrick's Day not be important," Schmidt said. "We've been doing a tour this time of year for going on three years now. It's a great ramp up to the holiday and allows us to extend the festivities of it all a while more."
Flogging Molly does what every good punk band should: Reach out to the disenfranchised youth.
"Rock has always been the poetic outcast music. Punk rock has always been the rebel voice. I think, for us, it's more about connecting with kids who are more like-minded," Schmidt said. "It's more important to go to places like Tulsa, Okla., and reach out to kids who are dissatisfied with the Bible Belt mentality and the pro-Bush mentality and make them feel like they're not crazy for thinking that." "Graham Lee Brewer
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