Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

The Moody muse


Critically acclaimed for her folk songs, Ruth Moody practically has music embedded in her DNA.

Joshua Boydston June 6th, 2012  

The Ruth Moody Band
7 p.m. Saturday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15-$20

It only makes sense that Australian-born, Canadian-raised singer-songwriter Ruth Moody has enjoyed her illustrious career, filled with Juno Awards (Canada’s answer to the Grammys), Billboard-charting albums and more than a dozen appearances on A Prairie Home Companion. After all, she’s been groomed for it since birth.

“When I was growing up, there was music everywhere. Either someone was singing or practicing, or there was music playing, at all times,” she said. “In that sense, music was a very normal thing in the house, but it was also a very special thing; my mother brought the family together with music and a lot of importance was placed on it.”

Moody’s music-teaching mother had all of her children classically trained, breeding a world-class violist, violinist and cellist in the process. Moody chose piano, eventually focusing on vocal training before folk music took over.

“It became obvious to me that I wasn’t going to be an opera or a classical singer. My voice didn’t want to do it, at least not consistently,” Moody said. “I never really quite fit into that classical mold, but I refer to my training often, both consciously and subconsciously. I don’t think you can really separate these things. They all just become part of you.”

She joined roots band Scruj MacDuhk in 1996, then award-winning trio The Wailin’ Jennys in 2001. After nearly a decade of overwhelming success, Moody began writing material that would become her solo debut, The Garden, in 2010 — not that it was a totally natural step.

“That was the scary part. It felt so new, and it wasn’t something I was craving or planning on doing,” she said, “but when the Jennys went on sabbatical, I thought, ‘OK, I guess I’d better face this fear now.’ Now I’m really starting to enjoy it.”

Currently, Moody splits her time writing and touring with The Wailin’ Jennys and working on a new batch of material that will become her sophomore solo effort, hopefully for an early 2013 release.

“I’m mostly just pushing myself to try new things and to remember that there is no formula,” she said. “It’s amazing what you can end up with if you step out of your comfort zone a little bit.”



 
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