Tuesday 29 Jul

Power Pyramid - The God Drums

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07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

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07/15/2014 | Comments 0
Home · Articles · Music · Music · Jazz hands

Jazz hands

Pianist Bert Dalton brings the heat to the 29th incarnation of Norman’s Jazz in June with his Brazilian-flavored project.

Joshua Boydston June 20th, 2012

Jazz in June

The Bert Dalton Brazil Project
Santa Fe, N.M.-based pianist Bert Dalton may not look like your prototypical Latin jazz musician, but he’s as experienced and talented as they come.

Growing up in Chicago, he was exposed to the Windy City’s lively Latin jazz scene at any early age. It hooked him almost immediately, and he’s lived and breathed music ever since, working as a pianist, arranger, composer, educator and producer for decades.

Learning never stops, however, and while Dalton is an authority of Latin music, he found himself wanting to explore its offshoots.

“Latin is such a huge umbrella term,” he said. “There are a couple of different flavors that I think really stand out. Latin jazz, which is more Afro-Cuban-based, and is something I’ve explored a lot, of course, but I’d just wanted to learn more about Brazilian music.”

He’s a hands-on learner — most pianists are — so he thought it best to start a new group to dive right in. Bringing along the other two pieces who constitute The Bert Dalton Trio (bassist Rob “Milo” Jaramillo and drummer John Bartlit), Dalton also recruited acclaimed New Mexico vocalist Patty Stephens and percussionist Frank Leto to form The Bert Dalton Brazil Project.

The fresh act’s first order of business? Learning Brazilian jazz standards. No problem!

“Right away, from the first moment, the group just completely gelled,” Dalton said.

While a bit of a learning curve existed, he said, it’s been mostly a fun one. “As a jazz musician, it’s whole new aspects to discover. It’s something I’ve always been fascinated with. You have all those beautiful textures of the Latin rhythms, the way they treat the beat. And on top of that, you have gorgeous melodies and these really interesting harmonies,” Dalton said. “That’s what hooked me as a piano player: the opportunity to play cool rhythms and beautiful melodies.”

The reaction to the group has been overwhelmingly positive, earning awards from its home state and glowing reviews.

“There’s so much joy, love and heart to this music that is conveyed. We are playing this music because we love this music — there’s no other real reason why,” Dalton said. “It’s danceable and festive, and it’s just likable music. You can’t help but have a good time when you hear a good samba.”

The Bert Dalton Brazil Project is booked to play shows the rest of the summer — including Norman’s threeday Jazz in June festival this weekend — before heading back into the studio with sights set on diving even deeper and composing original songs.

“There’s a nice collaboration here,” Dalton said. “Now that we’ve established this group, we want to build on things and create our own music.”

David Sanborn
Credit: Lynn Goldsmith
Wanna have sax?: Jazz in June schedule


7 p.m. Steve Coleman & The OBS All-Stars

9 p.m. Carolyn Wonderland

11 p.m. Blues Jam with Steve Coleman & The OBS All-Stars


7:15 p.m. What’s That

9:15 p.m. The Bert Dalton Brazil Project


6 p.m. New Horizons Jazz Band

6:45 p.m. Norman High School Jazz Combo

7:10 p.m. Ivan Peña Ensemble

8:35 p.m. Norman High School Jazz Combo

9 p.m. David Sanborn

11 p.m. Jazz Jam with The Grant Goldstein Ensemble

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