Wednesday 22 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

So Sheik


Although not religious leaders, The Sheiks could inspire legions of followers with their alt-rock riches.

Joshua Boydston June 27th, 2012  

Admittedly, the origin of The Sheiks’ name might be a tad uncouth, but the moniker suits the local alt-rockers pretty well.

“We used to jam with a Pakistani guy, so we thought we’d be The Sheiks,” lead singer Matt Milligan said, laughing. “Also, he’s a highly fashionable man. We may not be Pakistani, but we are pretty fashionable.”

The Sheiks fill a glaring void in the Oklahoma music scene left empty by the February 2009 demise of The Stock Market Crash, openly lusting for the polished indie-rock stylings of acts like The Strokes, Franz Ferdinand and Bloc Party.

“I’ve always been a huge advocate for garage rock,” Milligan said. “I wanted to do something in that vein, and it didn’t feel like there were that many bands doing that in the local area. We wanted to come into that sound and do it in our own sort of way.”

Collaborating with multi-instrumentalist Jeb McCalmont last summer, Milligan soon found a supporting cast in guitarist Nick Rohleder and drummer Brett Scott. The band played its first show in March and has enjoyed a strong response ever since.

“I don’t feel like there’s a band that sounds like us in Oklahoma, as douchey as that sounds,” Milligan said. “I’ve heard a lot of hardcore bands and folk bands. It seems like this style has just been totally missed in the local community.”

Lately, The Sheiks have showcased their chops on exceedingly better singles released over the past few months, highlighted by the dreamy “Taking It Slow” and Interpol-esque “Faker,” boasting a hook that is radio-ready. They may be wet behind the ears, but the collective group’s ear for melody is one that bands twice as experienced only can wish for.

“I feel like we are honing in on our own sound,” Milligan said. “We derived our sound from a lot of different bands, and it seems like we are finally centering on something that sounds unique to us.”

The next few months will find the guys in transition, as college and such comes into play. But The Sheiks are more than willing to find a way to make things work, hoping that studio time and more concerts will come.

“We want to extend our fan base,” Milligan said. “It’d be great to get these songs professionally done, and try to get our music out to as many people as we can. We’d love to sign a deal and see where this can go.”



 
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