Monday 21 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Home · Articles · Music · Music · All in the family
Music
 

All in the family


The siblings of Eisley believe in making music a family affair.

Joshua Boydston July 11th, 2012

Eisley with Merriment and The Antler Thief
8 p.m. Friday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$13-$15

Photo: Chris Phelps
It won’t be hard to spot indie-rock act Eisley’s tour bus out on the road this summer. It’ll be the one with the “Baby on Board” sign.

“It’s going to be funny, with my sisters both pregnant,” said singer and guitarist Sherri DuPree-Bemis of her siblings and bandmates Stacy King and Chauntelle DuPree D’Agostino. “We’ve never done a tour with two pregnant women onstage, so it should be interesting, but it’ll be fun … I think.”

Babies and marriages are something of an inevitability when your childhood dream grows into a full-time success. Joined by brother Weston DuPree and cousin Garron Dupree, Eisley has been churning out music for 15 years, playing professionally for more than half that.

“Our parents told us that we should do what we loved doing the most. That was the driving force behind all this,” DuPree-Bemis said. “When we started doing this at such a young age, we just fell in love with it. We wanted to do it as long as anyone wanted to hear our music.”

Eisley signed to Warner Bros. Records in 2003, releasing two albums and writing a third under the label’s watchful eye. The outfit moved to Equal Visions Records, which bought the rights to release 2011’s The Valley. The five-piece since has been given free rein.

“We were still getting pressure from the label to write songs that were radio-friendly, three minutes long and had that normal song structure. This record, we’ve had none of that,” DuPree-Bemis said. “They trust us and our artistic vision.”

It’s also the first album Eisley has done without a producer at the helm.

“It’s been a freeing experience. We are self-producing and recording in our own studio. If it doesn’t sound good, it’s all on us,” DuPree-Bemis said. “That’s put a lot of positive pressure on us.”

Most important, the record has let the band grow.

“We are not being stifled for the first time in years,” she said. “The songs are going to be more artistic, and you will hear the freedom, but it’s not like it’s that far out there. They sound like how we did before the music industry got hold of us. It’s more moody and weird, but still accessible.”

But old fans needn’t fret. “We try to maintain the Eisley sound and what it is that made our fans fall in love with our music in the first place, and just expand upon that and make it better,” DuPree-Bemis said. “If you lose what made you you, then you might as well start a new project, and I don’t see that happening with us anytime soon.”


 
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