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The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0
Home · Articles · Movies · Drama · Where Do We Go Now?
Drama

Where Do We Go Now?


Phil Bacharach August 1st, 2012  

Where Do We Go Now? is easier to admire than praise. An Arabic-language film that’s part comedy, tragedy and musical, it was a surprise hit at the Toronto Film Festival, winning the People’s Choice Award. But while this Middle East fantasy certainly has good intentions, they aren’t enough to keep it afloat.

Slated to open Friday at AMC Quail Springs Mall 24, 2501 W. Memorial, the movie is set in an isolated Lebanese village with an uneasy truce between the town’s Christian and Muslim populations. The peacekeepers are the women — Christian and Muslim alike — who distract the men’s bellicose tendencies any way they can, whether it’s hiring a Ukrainian striptease artists or sedating the guys with hash-laden sweets.

It’s Lysistrata by way of Al-Jazeera.

Writer-director Nadine Labaki is part of the ensemble cast as Amal, a Christian widow and restaurant owner who has one of the film’s better scenes, an effective (if unsubtle) speech in which she admonishes the men for their violence. “You think we’re just here to mourn you?” she screams.

But most of Where Do We Go Now? is burdened with comedy that relies on the conceit that all the men in town are idiots. The drama, meanwhile, feels overwrought.

It’s a mess, albeit an occasionally intriguing one. The film opens with a group of women — dressed in black, hands over their hearts — walking in step toward a cemetery on the outskirts of town. They are en route to mourn the deaths of husbands and brothers, fathers and sons. The women’s movements vacillate between a march and a synchronized dance.

The image is beautiful and quirky, and it’s a promise that isn’t quite fulfilled by what follows.


 
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