Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Extra-strength EDM


Top house DJ Kaskade delivers mixes of electronic dance music that shine and sparkle.

Joshua Boydston July 18th, 2012  

Kaskade with Fareoh and Squirt D
7 p.m. Thursday
Diamond Ballroom
8001 S. Eastern
diamondballroom.net
677-9169
$31-$36

When house DJ and music producer Kaskade steps out onstage and is greeted by thousands of screaming fans, it sort of feels like a dream.

“It’s a shock,” said Ryan Raddon, 41, aka Kaskade. “I’ve been doing this so long, watching for over 20 years, and some people feel like this electronic explosion happened overnight, but it’s been building to this boiling point. I’m still surprised, though, not by the fact that people love it, but more so that I, and others, have sold out places like the Staples Center in Los Angeles. It’s like, ‘Wow. This is crazy.’”

Raddon has spent most of his adult life involved in the electronic dance music (EDM) scene — first as a record store owner while attending college in Salt Lake City, then as an A&R assistant before he began producing music in 2001.

He has his Chicago roots to thank. “That’s where it all came from.

I got exposed to it really young, and I just kind of got the fever,” he said. “Sometimes, I wonder if I grew up in Nashville, if I’d be doing country music instead.”

The past decade has seen Kaskade rise to prominence on the heels of remixing artists like Britney Spears, Beyoncé and Lady Gaga; collaborations with fellow EDM faves like deadmau5; and nine studio discs the latest of which is 2011’s Fire & Ice, a double album featuring up- and down-tempo versions of each track.

“It was a concept I’d been wanting to do for a long time,” Raddon said. “Having it be a double CD was a massive undertaking, and I knew it, but it was totally worth it.”

The pet project was given life by Raddon’s realization that a sizable chunk of Kaskade’s fan base favored his more ambient work to the club anthems.

“There’s always been die-hard fans who enjoy my more down-tempo, stripped-back music, even if they are the minority,” he said. “I’ve always had that flavor, but to have a whole record for them to sink their teeth into has made everyone really happy.”

And it was refreshing to remix himself instead of pop megastars for once.

“There’s a lot more artistic freedom,” Raddon said. “When I’m doing it to my own work, I don’t have anyone to answer to but myself.”

Kaskade fans shouldn’t have to wait long for new songs. He’ll tackle new material after this massive summer tour ... if his body allows it.

“I’d really like to have something out early next year,” he said. “It all just depends on how broken I am after this tour.”


 
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