Wednesday 19 Jun
 
 

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0

The Philadelphia Experiment

There's a theory about remakes that perhaps Hollywood should stop remaking good movies and instead remake the bad ones, so that they may be improved. The problem with that theory is one runs the risk of the remake being bad, too. Case in point: The Philadelphia Experiment.
06/12/2013 | Comments 0

Hansel & Gretel: Witch Hunters

A few surprising things about Hansel & Gretel: Witch Hunters:
• It comes from MTV Films,
• is produced by Will Ferrell,
• and is as fun as its title is dumb.
06/11/2013 | Comments 0
Home · Articles · Movies · Children's · ParaNorman
Children's

ParaNorman


None August 15th, 2012  

If you haven’t seen 2009’s Coraline, you might be more inclined to surrender yourself to the macabre charm of ParaNorman. Both films, works of stop-motion animation by the Oregon-based Laika company, share much in common: an outcast protagonist, ineffectual grown-ups, visually stunning riffs on the supernatural.

But while Coraline sustained a masterful level of Grimm-like creepiness, ParaNorman is only fitfully brilliant.

The premise is promising. Eleven-year-old Norman Babcock (voiced by Kodi Smit-McPhee, Let Me In) has a familiar problem: He sees dead people. Lots of ’em, actually, which makes him something of a pariah in the hamlet of Blithe Hollow, Mass. His only pal is Neil (Tucker Albrizzi, TV’s Good Luck Charlie), a chubby kid who isn’t thrown off by Norman’s frequent conversations with the dearly departed.

Boasting a casket full of horror-flick references, ParaNorman tosses its prepubescent hero into some mumbo-jumbo about the town being cursed by an 18th-century witch, and Norman being the only one to stop it. The escalating dread fuels some wonderfully grotesque sight gags involving decaying zombies and sundry stubborn corpses, and Jon Brion’s music score adds beautifully to the weirdness.

The script proves less successful.

ParaNorman conjures up mood galore, but the script by Chris Butler, who directs here with Sam Fell (The Tale of Despereaux), settles for thin characterization and a storyline that seems like a patchwork of other movies. Lovely animation and strong voice work — from the likes of Casey Affleck, Leslie Mann, Jeff Garlin, Anna Kendrick and John Goodman — almost makes you forget you’ve seen this all before.

One final note, parents: Don’t be lulled by the PG rating. Some scenes might be a bit too scary for the smallest moviegoers.

Hey! Read This:
• Coraline film review 


 
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