Monday 20 May
 
 

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0
Home · Articles · Movies · Children's · ParaNorman
Children's

ParaNorman


None August 15th, 2012  

If you haven’t seen 2009’s Coraline, you might be more inclined to surrender yourself to the macabre charm of ParaNorman. Both films, works of stop-motion animation by the Oregon-based Laika company, share much in common: an outcast protagonist, ineffectual grown-ups, visually stunning riffs on the supernatural.

But while Coraline sustained a masterful level of Grimm-like creepiness, ParaNorman is only fitfully brilliant.

The premise is promising. Eleven-year-old Norman Babcock (voiced by Kodi Smit-McPhee, Let Me In) has a familiar problem: He sees dead people. Lots of ’em, actually, which makes him something of a pariah in the hamlet of Blithe Hollow, Mass. His only pal is Neil (Tucker Albrizzi, TV’s Good Luck Charlie), a chubby kid who isn’t thrown off by Norman’s frequent conversations with the dearly departed.

Boasting a casket full of horror-flick references, ParaNorman tosses its prepubescent hero into some mumbo-jumbo about the town being cursed by an 18th-century witch, and Norman being the only one to stop it. The escalating dread fuels some wonderfully grotesque sight gags involving decaying zombies and sundry stubborn corpses, and Jon Brion’s music score adds beautifully to the weirdness.

The script proves less successful.

ParaNorman conjures up mood galore, but the script by Chris Butler, who directs here with Sam Fell (The Tale of Despereaux), settles for thin characterization and a storyline that seems like a patchwork of other movies. Lovely animation and strong voice work — from the likes of Casey Affleck, Leslie Mann, Jeff Garlin, Anna Kendrick and John Goodman — almost makes you forget you’ve seen this all before.

One final note, parents: Don’t be lulled by the PG rating. Some scenes might be a bit too scary for the smallest moviegoers.

Hey! Read This:
• Coraline film review 


 
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