Three volumes in and A Blackwatch Christmasyet again nabs a spot on the nice list, showcasing a smattering of Oklahoma artists with charming new holiday standards. This year shakes up the status quo with two themed halves — serving up dusty, countrified Christmas ditties on the Holly-Tonk side and soulful hip-hop carols with Jingle Beats, both with joyful returns.
It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
Fiawna Forté with Honeylark 10 p.m. Friday Blue Note Lounge 2408 N. Robinson thebluenotelounge.com 600-1166 $5
For some musicians, performing is work. For others, it’s just a big party. For Tulsa’s Fiawna Forté, it’s therapy.
“I was a very shy child, and had a pretty rough childhood. I buried everything,” she said of her intense performance style. “Onstage, I’m taking every bad thing in my life and throwing it up, mentally trying to make it a good thing. It’s my way of not blowing up on people in real life. If I can just release everything I’ve got in me in one go, I don’t have to be a mean person in real life.”
Music has been a way of life for Forté since she was a toddler. She wrote her first song when she was 2.
“I still have the recording,” she said.
“When I was 7, my mom got me this crappy little guitar. Within a few days, I’d already written four songs. Pretty soon, she bought me a nicer guitar.”
At 12, she formed her first band, playing music largely informed by Southern gospel.
“I didn’t listen to much music outside of church. I didn’t even start listening to rock ’n’ roll until high school,” Forté said. “I think that helped me in a way. I became my own musician and songwriter. I didn’t have any musician pushing me too far in any one direction.”
That’s held true, even today. “I don’t listen to much music. I know that sounds terrible, but I’m one of those people that if I listen to too much of one artist, I start to sound like them,” she said. “I don’t want to do that.”
And she hasn’t. Forté assembled the modern incarnation of her band in 2008, and two years later brought fans Transitus, which recalled anyone from Patty Griffin to Joan Jett to Feist in the span of two songs, but mostly just sounded like Forté. The tracks were plucked from a decade-old catalog, mainly from the songwriter’s high school days.
“I just couldn’t get to the point where I wanted to let them go. Those are the songs I grew with. They were so personal,” Forté said. “My husband [bandmate Phillip Hanewinkel] told me that I had to let them go for other people to enjoy. I couldn’t move forward without doing so.”
Making that leap, she’s written three albums’ worth of material for what will become her sophomore release, due sometime in 2013, depending upon what direction she decides to head.
“I never want to do one sound for too long. I want to tap into every genre there is,” Forté said. “That’s where we are at now.”